Detailed collection report

Is Pedro Páramo, el hombre de la Media Luna a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Pedro Páramo, el hombre de la Media Luna is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
In the competitive landscape of 1978, Pedro Páramo, el hombre de la Media Luna debuted as a Drama / Fantasy film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Pedro Páramo, el hombre de la Media Luna has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Pedro Páramo, el hombre de la Media Luna navigated the competitive landscape with an audience reception score of 5.5/10. When weighing the production costs against the global returns, Pedro Páramo, el hombre de la Media Luna is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
🔍 Comparables
In the context of other Drama releases, the performance of Pedro Páramo, el hombre de la Media Luna will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1978 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.