
Is Red Riding: The Year of Our Lord 1974 a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $13,500,000.00, Red Riding: The Year of Our Lord 1974 is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Red Riding: The Year of Our Lord 1974, released in 2009, entered the cinematic marketplace as a Thriller / Mystery / Crime / Drama / TV Movie film. The production path for this project involved significant capital, with a reported budget of approximately $9,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Red Riding: The Year of Our Lord 1974 has culminated in a worldwide gross of approximately $13,500,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Red Riding: The Year of Our Lord 1974 navigated the competitive landscape with an audience reception score of 6.7/10. When weighing the production costs against the global returns, Red Riding: The Year of Our Lord 1974 is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
🔍 Comparables
In the context of other Thriller releases, the performance of Red Riding: The Year of Our Lord 1974 will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2009 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.