Is Scandalize My Name: Stories from the Blacklist a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $100,000.00, Scandalize My Name: Stories from the Blacklist is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Scandalize My Name: Stories from the Blacklist, released in 1998, entered the cinematic marketplace as a Documentary / History film. The production path for this project involved significant capital, with a reported budget of approximately $1,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Scandalize My Name: Stories from the Blacklist has culminated in a worldwide gross of approximately $100,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -90%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Scandalize My Name: Stories from the Blacklist navigated the competitive landscape with an audience reception score of 7.7/10. When weighing the production costs against the global returns, Scandalize My Name: Stories from the Blacklist is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other Documentary releases, the performance of Scandalize My Name: Stories from the Blacklist will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1998 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.