Detailed collection report
Is Sexual Escapade: Married Woman Mating at Night a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Sexual Escapade: Married Woman Mating at Night is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Sexual Escapade: Married Woman Mating at Night, released in 2015, entered the cinematic marketplace as a Drama film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Sexual Escapade: Married Woman Mating at Night has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Sexual Escapade: Married Woman Mating at Night navigated the competitive landscape with an audience reception score of 2/10. When weighing the production costs against the global returns, Sexual Escapade: Married Woman Mating at Night is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
🔍 Comparables
In the context of other Drama releases, the performance of Sexual Escapade: Married Woman Mating at Night will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2015 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.