Detailed collection report

Is Sin City: A Dame to Kill For a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $39,407,616.00, Sin City: A Dame to Kill For is declared a Flop.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Sin City: A Dame to Kill For, released in 2014, entered the cinematic marketplace as a Action / Crime / Thriller film. The production path for this project involved significant capital, with a reported budget of approximately $65,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Sin City: A Dame to Kill For has culminated in a worldwide gross of approximately $39,407,616.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -39%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Sin City: A Dame to Kill For navigated the competitive landscape with an audience reception score of 6.4/10. When weighing the production costs against the global returns, Sin City: A Dame to Kill For is effectively categorized as a Flop. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other Action releases, the performance of Sin City: A Dame to Kill For will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2014 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.