Is Skeleton Key 2: 667 Neighbor of the Beast a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $3,000.00, Skeleton Key 2: 667 Neighbor of the Beast is declared a Disaster.
๐ Box Office Snapshot
๐ Detailed Verdict Analysis
๐ Detailed Financial Report
Marking its arrival in 2008, Skeleton Key 2: 667 Neighbor of the Beast positioned itself as a Horror film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $5,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
๐ Collection Trajectory
The box office journey for Skeleton Key 2: 667 Neighbor of the Beast has culminated in a worldwide gross of approximately $3,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
โ๏ธ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Skeleton Key 2: 667 Neighbor of the Beast navigated the competitive landscape with an audience reception score of 2.9/10. When weighing the production costs against the global returns, Skeleton Key 2: 667 Neighbor of the Beast is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
๐ Comparables
In the context of other Horror releases, the performance of Skeleton Key 2: 667 Neighbor of the Beast will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2008 box office narrative.
๐ฟ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.