
Is Star Trek: The Motion Picture a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $139.3M, Star Trek: The Motion Picture is declared a Super Hit.
Box Office Visualization
* A movie is generally considered a "Hit" if it recovers its budget and marketing costs (approx 2x budget).
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1979, Star Trek: The Motion Picture positioned itself as a Science Fiction / Adventure / Mystery film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $44.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Star Trek: The Motion Picture has culminated in a worldwide gross of approximately $139.3M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 217%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Star Trek: The Motion Picture navigated the competitive landscape with an audience reception score of 6.5/10. When weighing the production costs against the global returns, Star Trek: The Motion Picture is effectively categorized as a Super Hit. This result solidifies the film's place as a significant earner in the yearly box office rankings.
Comparables
In the context of other Science Fiction releases, the performance of Star Trek: The Motion Picture will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1979 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.