Detailed collection report

Is Supergirl: The Making of the Movie a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Supergirl: The Making of the Movie is declared a Average.
π Box Office Snapshot
π Detailed Verdict Analysis
π Detailed Financial Report
Supergirl: The Making of the Movie, released in 1985, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
π Collection Trajectory
The box office journey for Supergirl: The Making of the Movie has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
βοΈ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Supergirl: The Making of the Movie navigated the competitive landscape with an audience reception score of 6.3/10. When weighing the production costs against the global returns, Supergirl: The Making of the Movie is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
π Comparables
In the context of other Documentary releases, the performance of Supergirl: The Making of the Movie will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1985 box office narrative.
πΏ Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.