Detailed collection report
Is Surrealissimo: The Trial of Salvador Dali a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Surrealissimo: The Trial of Salvador Dali is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Surrealissimo: The Trial of Salvador Dali, released in 2002, entered the cinematic marketplace as a History / TV Movie / Drama / Comedy film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Surrealissimo: The Trial of Salvador Dali has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Surrealissimo: The Trial of Salvador Dali navigated the competitive landscape with an audience reception score of 5/10. When weighing the production costs against the global returns, Surrealissimo: The Trial of Salvador Dali is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other History releases, the performance of Surrealissimo: The Trial of Salvador Dali will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2002 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.