
Is The Cook, the Thief, His Wife & Her Lover a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $7,724,701.00, The Cook, the Thief, His Wife & Her Lover is declared a Super Hit.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
The Cook, the Thief, His Wife & Her Lover, released in 1989, entered the cinematic marketplace as a Crime / Drama film. The production path for this project involved significant capital, with a reported budget of approximately $2,300,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for The Cook, the Thief, His Wife & Her Lover has culminated in a worldwide gross of approximately $7,724,701.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 236%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial успеха.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Cook, the Thief, His Wife & Her Lover navigated the competitive landscape with an audience reception score of 7.3/10. When weighing the production costs against the global returns, The Cook, the Thief, His Wife & Her Lover is effectively categorized as a Super Hit. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
🔍 Comparables
In the context of other Crime releases, the performance of The Cook, the Thief, His Wife & Her Lover will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1989 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.