
Is The Kind of Meat You Can't Buy at the Store a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, The Kind of Meat You Can't Buy at the Store is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
The Kind of Meat You Can't Buy at the Store, released in 1994, entered the cinematic marketplace as a Thriller / Horror / Crime film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for The Kind of Meat You Can't Buy at the Store has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Kind of Meat You Can't Buy at the Store navigated the competitive landscape with an audience reception score of 3/10. When weighing the production costs against the global returns, The Kind of Meat You Can't Buy at the Store is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
🔍 Comparables
In the context of other Thriller releases, the performance of The Kind of Meat You Can't Buy at the Store will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1994 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.