Detailed collection report

Is The Rifleman of the Voroshilov Regiment a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200,000,000.00, The Rifleman of the Voroshilov Regiment is declared a Blockbuster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
The Rifleman of the Voroshilov Regiment, released in 1999, entered the cinematic marketplace as a Drama / Action / Crime film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for The Rifleman of the Voroshilov Regiment has culminated in a worldwide gross of approximately $200,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, The Rifleman of the Voroshilov Regiment navigated the competitive landscape with an audience reception score of 7.1/10. When weighing the production costs against the global returns, The Rifleman of the Voroshilov Regiment is effectively categorized as a Blockbuster. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
🔍 Comparables
In the context of other Drama releases, the performance of The Rifleman of the Voroshilov Regiment will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1999 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.