Detailed collection report

Is Whoopi Goldberg Presents Moms Mabley a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75,000,000.00, Whoopi Goldberg Presents Moms Mabley is declared a Average.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Marking its arrival in 2013, Whoopi Goldberg Presents Moms Mabley positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Whoopi Goldberg Presents Moms Mabley has culminated in a worldwide gross of approximately $75,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Whoopi Goldberg Presents Moms Mabley navigated the competitive landscape with an audience reception score of 6.7/10. When weighing the production costs against the global returns, Whoopi Goldberg Presents Moms Mabley is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
🔍 Comparables
In the context of other Documentary releases, the performance of Whoopi Goldberg Presents Moms Mabley will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2013 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.