Is Yang ± Yin: Gender in Chinese Cinema a Hit or Flop? Official Box Office Record & Profit Analysis

📜 Detailed Financial Report

In the competitive landscape of 1998, Yang ± Yin: Gender in Chinese Cinema debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

📈 Collection Trajectory

The box office journey for Yang ± Yin: Gender in Chinese Cinema has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.

⚖️ Profitability & Verdict

Analyzing the multiplier effect and market sentiment, Yang ± Yin: Gender in Chinese Cinema navigated the competitive landscape with an audience reception score of 4.9/10. When weighing the production costs against the global returns, Yang ± Yin: Gender in Chinese Cinema is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.

🔍 Comparables

In the context of other Documentary releases, the performance of Yang ± Yin: Gender in Chinese Cinema will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1998 box office narrative.