Detailed collection report

Is Yummy in Neon Town: I Am Ready to Be Eaten a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30,000,000.00, Yummy in Neon Town: I Am Ready to Be Eaten is declared a Disaster.
📊 Box Office Snapshot
📔 Detailed Verdict Analysis
📜 Detailed Financial Report
Yummy in Neon Town: I Am Ready to Be Eaten, released in 1979, entered the cinematic marketplace as a Drama film. The production path for this project involved significant capital, with a reported budget of approximately $50,000,000.00. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
📈 Collection Trajectory
The box office journey for Yummy in Neon Town: I Am Ready to Be Eaten has culminated in a worldwide gross of approximately $30,000,000.00. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
⚖️ Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Yummy in Neon Town: I Am Ready to Be Eaten navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, Yummy in Neon Town: I Am Ready to Be Eaten is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
🔍 Comparables
In the context of other Drama releases, the performance of Yummy in Neon Town: I Am Ready to Be Eaten will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1979 box office narrative.
🍿 Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.