Is 1, 2, 3 Soleils Worth Watching?
Answer: Maybe not, 1, 2, 3 Soleils is likely a skip if you enjoy Music movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.

Verdict:1, 2, 3 Soleils is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Music genre.
Answer: Maybe not, 1, 2, 3 Soleils is likely a skip if you enjoy Music movies.
It features a runtime of 0 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1999, 1, 2, 3 Soleils emerges as a significant entry in the Music domain. The narrative core of the film focuses on a sophisticated exploration of Originally, the trio was supposed to consist of Khaled, Faudel, and Cheb Mami, but at the time, Mami was signed to a record label that was a competitor of Khaled and Faudel's (Universal Music) and was unable to participate in the project. Unlike standard genre fare, 1, 2, 3 Soleils attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Don Kent, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Music elements serve the larger narrative arc rather than just providing spectacle.
The success of any Music is often anchored by its ensemble, and 1, 2, 3 Soleils features a noteworthy lineup led by Cheb Khaled. Supported by the likes of Rachid Taha and Faudel, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Cheb Khaled, Rachid Taha, Faudel manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1999 cinema, these performances stand as a testament to the evolving standards of acting within the Music space.
From a technical perspective, 1, 2, 3 Soleils is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of 1, 2, 3 Soleils follows a sophisticated brisk pace. Over its N/A minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, 1, 2, 3 Soleils resonates with contemporary social and cultural themes prevalent in the Music landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, 1, 2, 3 Soleils is more than just its synopsis. It is an inquiry into the boundaries of human experience. Originally, the trio was supposed to consist of Khaled, Faudel, and Cheb Mami, but at the time, Mami was signed to a record label that was a competitor of Khaled and Faudel's (Universal Music) and was unable to participate in the project. He was replaced by Rachid Taha. This unique concert took place at the Palais Omnisports de Paris-Bercy on September 26, 1998, and was released as an album by Barclay that same year. The concert, which featured a number of Algerian classics and the most famous songs by these three artists, sung solo, in duets or in trios—from Aicha (Khaled) sung by Faudel and Khaled, to Ya Rayah (Taha) bringing together all three singers—combined classical instruments (strings and brass), traditional (darbouka, bendir, Arabic flute) and modern instruments (bass, guitar), under the leadership of producer Steve Hillage, former guitarist and singer with the band Gong, who plays solo and rhythm guitar.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of 1, 2, 3 Soleils (1999) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Music categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Cheb Khaled, Rachid Taha, Faudel or the visual majesty of its technical execution, 1, 2, 3 Soleils is a significant contribution to the cinema of 1999. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, 1, 2, 3 Soleils stands as a challenging project for the creators. It remains an essential piece of the 1999 cinematic year.
1, 2, 3 Soleils is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, 1, 2, 3 Soleils may not be worth watching unless you are a die-hard fan.
1, 2, 3 Soleils may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Originally, the trio was supposed to consist of Khaled, Faudel, and Cheb Mami, but at the time, Mami was signed to a record label that was a competitor of Khaled and Faudel's (Universal Music) and was unable to participate in the project. He was replaced by Rachid Taha. This unique concert took place at the Palais Omnisports de Paris-Bercy on September 26, 1998, and was released as an album by Barclay that same year. The concert, which featured a number of Algerian classics and the most famous songs by these three artists, sung solo, in duets or in trios—from Aicha (Khaled) sung by Faudel and Khaled, to Ya Rayah (Taha) bringing together all three singers—combined classical instruments (strings and brass), traditional (darbouka, bendir, Arabic flute) and modern instruments (bass, guitar), under the leadership of producer Steve Hillage, former guitarist and singer with the band Gong, who plays solo and rhythm guitar.