Is 21-87 Worth Watching?
Answer: Yes, 21-87 is definitely worth watching if you enjoy Documentary movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.

Verdict:21-87 is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.8/10, it has delivered a mixed experience for fans of the Documentary genre.
Answer: Yes, 21-87 is definitely worth watching if you enjoy Documentary movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1963, 21-87 emerges as a significant entry in the Documentary domain. The narrative core of the film focuses on a sophisticated exploration of This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. Unlike standard genre fare, 21-87 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Arthur Lipsett, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and 21-87 features a noteworthy lineup led by Roman Kroitor.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Roman Kroitor manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1963 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary space.
From a technical perspective, 21-87 is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of 21-87 follows a sophisticated brisk pace. Over its 10 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, 21-87 resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, 21-87 is more than just its synopsis. It is an inquiry into the boundaries of human experience. This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of "The Force."
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of 21-87 (1963) is overwhelmingly generally positive. With an audience rating of 6.8/10 and strong performance metrics in the Documentary categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Roman Kroitor or the visual majesty of its technical execution, 21-87 is a significant contribution to the cinema of 1963. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 6.8/10, and global collection metrics, 21-87 stands as a successful venture for the creators. It remains an essential piece of the 1963 cinematic year.
21-87 has received mixed reviews with a 6.8/10 rating, making it a moderate success with the audience.
21-87 is a mixed bag. It might be worth watching if you're a fan of Documentary movies, but read reviews first.
21-87 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
This short film from Arthur Lipsett is an abstract collage of snippets from discarded footage found by Lipsett in the editing room of the National Film Board (where he worked as an animator), combined with his own black and white 16mm footage shot on the streets of Montreal and New York City, among other locations. A commentary on a machine-dominated society, it is often cited as an influence on George Lucas's Star Wars and his conceptualization of "The Force."