Is 3 Weeks in Yerevan Worth Watching?
Answer: Maybe not, 3 Weeks in Yerevan is likely a skip if you enjoy movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.
Verdict:3 Weeks in Yerevan is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, 3 Weeks in Yerevan is likely a skip if you enjoy movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2016, 3 Weeks in Yerevan emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of In this heartwarming comedy, two filmmakers from Los Angeles go to Armenia to shoot a feature length movie about a third generation American Armenian who goes to Yerevan to adopt a 12 year old. Unlike standard genre fare, 3 Weeks in Yerevan attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Vahé Berberian, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and 3 Weeks in Yerevan features a noteworthy lineup led by Vahik Pirhamzei. Supported by the likes of Vahé Berberian and Hrant Tokhatyan, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Vahik Pirhamzei, Vahé Berberian, Hrant Tokhatyan manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2016 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, 3 Weeks in Yerevan is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of 3 Weeks in Yerevan follows a sophisticated brisk pace. Over its 92 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, 3 Weeks in Yerevan resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, 3 Weeks in Yerevan is more than just its synopsis. It is an inquiry into the boundaries of human experience. In this heartwarming comedy, two filmmakers from Los Angeles go to Armenia to shoot a feature length movie about a third generation American Armenian who goes to Yerevan to adopt a 12 year old. Teaming up with a local impresario, the team begins the arduous task of casting for the parts, scouting locations and securing the last leg of the funding. What seems to be a perfect plan becomes a perfect storm of absurd meetings, unexpected discoveries and hysterical events, which come together to sabotage the project. The Minister of Culture, The chief of police, the director of Hyefilm Studios, the oligarch...They all offer to help, and yet all of them have their conditions - changing the plot of the script, adopting it to another period, casting a relative for a part, and ultimately a proposal to turn the simple, touching story into a biopic of an oligarch.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of 3 Weeks in Yerevan (2016) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Vahik Pirhamzei, Vahé Berberian, Hrant Tokhatyan or the visual majesty of its technical execution, 3 Weeks in Yerevan is a significant contribution to the cinema of 2016. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, 3 Weeks in Yerevan stands as a challenging project for the creators. It remains an essential piece of the 2016 cinematic year.
3 Weeks in Yerevan is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, 3 Weeks in Yerevan may not be worth watching unless you are a die-hard fan.
3 Weeks in Yerevan may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
In this heartwarming comedy, two filmmakers from Los Angeles go to Armenia to shoot a feature length movie about a third generation American Armenian who goes to Yerevan to adopt a 12 year old. Teaming up with a local impresario, the team begins the arduous task of casting for the parts, scouting locations and securing the last leg of the funding. What seems to be a perfect plan becomes a perfect storm of absurd meetings, unexpected discoveries and hysterical events, which come together to sabotage the project. The Minister of Culture, The chief of police, the director of Hyefilm Studios, the oligarch...They all offer to help, and yet all of them have their conditions - changing the plot of the script, adopting it to another period, casting a relative for a part, and ultimately a proposal to turn the simple, touching story into a biopic of an oligarch.