Is 31st Dept. Worth Watching?
Answer: Maybe not, 31st Dept. is likely a skip if you enjoy Crime movies.
It features a runtime of 154 minutes and offers a standard storyline that appeals to mature audiences.
Verdict:31st Dept. is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Crime, Mystery genre.
Answer: Maybe not, 31st Dept. is likely a skip if you enjoy Crime movies.
It features a runtime of 154 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1972, 31st Dept. emerges as a significant entry in the Crime, Mystery domain. The narrative core of the film focuses on a sophisticated exploration of The Commissioner of Police has been tasked with conducting an investigation into the threat of a terrorist attack in the building of the press concern. Unlike standard genre fare, 31st Dept. attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Yuri Aksenov, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and 31st Dept. features a noteworthy lineup led by Efim Kopelyan. Supported by the likes of Nikolai Korn and Oleg Basilashvili, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Efim Kopelyan, Nikolai Korn, Oleg Basilashvili manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1972 cinema, these performances stand as a testament to the evolving standards of acting within the Crime, Mystery space.
From a technical perspective, 31st Dept. is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of 31st Dept. follows a sophisticated deliberate pace. Over its 154 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. While some may find the extended runtime testing, the investment pays off for audiences who appreciate a narrative that isn`t afraid to breathe and explore its more nuanced corners.
Beyond its immediate entertainment value, 31st Dept. resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, 31st Dept. is more than just its synopsis. It is an inquiry into the boundaries of human experience. The Commissioner of Police has been tasked with conducting an investigation into the threat of a terrorist attack in the building of the press concern. During the investigation, he learns about the existence of the 31st department, created by the management of the concern with the aim of eliminating the opposition press.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of 31st Dept. (1972) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Crime, Mystery categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Efim Kopelyan, Nikolai Korn, Oleg Basilashvili or the visual majesty of its technical execution, 31st Dept. is a significant contribution to the cinema of 1972. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, 31st Dept. stands as a challenging project for the creators. It remains an essential piece of the 1972 cinematic year.
31st Dept. is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, 31st Dept. may not be worth watching unless you are a die-hard fan.
31st Dept. may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
The Commissioner of Police has been tasked with conducting an investigation into the threat of a terrorist attack in the building of the press concern. During the investigation, he learns about the existence of the 31st department, created by the management of the concern with the aim of eliminating the opposition press.