🎬 The Premise
Released in 1967, A Propos D'Un Crime enters the Documentary genre with a narrative focused on
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina.
Under the direction of Gérard Patris, the film attempts to weave detailed character arcs with visual storytelling.
🎭 Cast & Performance
The film is anchored by performances from Jean Sénac, Brahim Hadjadj, Luchino Visconti.
The chemistry between the leads drives the emotional core of the movie, making the stakes feel genuine.
🎥 Technical Mastery & Style
From a technical standpoint, A Propos D'Un Crime offers a
visually stunning presentation. The cinematography
uses a distinct visual palette that aligns well with the tone.
The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
🌍 Social Impact & Cultural Context
Beyond the narrative, A Propos D'Un Crime resonates with current
cultural themes in the Documentary space.
It effectively mirrors local sentiment while maintaining a global appeal, a rare feat in recent releases.
📺 Where to Watch & Streaming Info
As of January 2026, A Propos D'Un Crime is available in theaters worldwide.
For streaming audiences in the US, UK, and India, look for availability on major platforms roughly 45-60 days after the theatrical release.
Don't miss the high-definition experience provided by premium large format (PLF) screenings.
📖 Narrative Arc & Plot Breakdown
The plot of A Propos D'Un Crime centers on a unique premise within the Documentary landscape.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
The second act serves as a major turning point, leading to a climax that fans of 1967 cinema will find satisfying and robust.
💡 Ending Explained & Sequel Potential
The ending of A Propos D'Un Crime has sparked significant debate on social media. It signifies the
triumph of the protagonist over internal conflicts.
Given the current box office momentum, discussions of a A Propos D'Un Crime sequel or a wider cinematic universe are already gaining traction.
📝 Final Editorial Verdict
Final verdict for A Propos D'Un Crime (1967): with an audience rating of 10/10, the reception has been acclaimed.
It is a must-watch for fans of Documentary cinema who appreciate attention to detail.