A Propos D'Un Crime Review: Story, Cast, Rating & Final Verdict
Last updated: May 14, 2026
Movie Overview: A Propos D'Un Crime
| Movie | A Propos D'Un Crime |
| Release Year | 1967 |
| Director | Gérard Patris |
| Genre | Documentary |
| Runtime | 24 minutes (24m) |
| Language | FR |
Quick Verdict: Hit or Flop?
Is A Propos D'Un Crime (1967) worth watching? According to our cinematic analysis, the film stands as a SUPER HIT with a verified audience rating of 10.0/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Documentary.
Cast & Character Study
The performances in A Propos D'Un Crime are led by Jean Sénac . The supporting cast, including Brahim Hadjadj and Luchino Visconti , provides the necessary layers to the central narrative.
movieMx Verdict: Is it Worth Your Time?
What Works in the Movie
A Propos D'Un Crime stands out as a strong entry in the Documentary genre. The film benefits from engaging storytelling, memorable performances, and solid production values that help keep viewers invested.
- Compelling performances from the main cast
- Strong visual storytelling and direction
- Well-structured Documentary narrative
- Satisfying emotional or dramatic payoff
What Doesn't Work
Despite its strengths, A Propos D'Un Crime has a few issues that may affect the overall viewing experience, particularly in terms of pacing and narrative consistency.
- Uneven pacing in certain parts of the film
- Some predictable plot developments
- May not appeal to audiences outside the Documentary fanbase
Story & Plot Summary: A Propos D'Un Crime
Quick Plot Summary: Released in 1967, A Propos D'Un Crime is a Documentary film directed by Gérard Patris. The narrative presents a compelling narrative that engages viewers from start to finish. It provides a scannable look at the movie's central conflict involving Jean Sénac as Self.
Ending Explained: A Propos D'Un Crime
A Propos D'Un Crime Ending Explained: In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Directed by Gérard Patris, this 1967 documentary film stars Jean Sénac (Self), alongside Brahim Hadjadj as Self, Luchino Visconti as Self, Anna Karina as Self. With a 10/10 audience rating, the ending has been widely praised.
What Happens at the End of A Propos D'Un Crime?
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Gérard Patris's narrative builds toward a resolution centered on Jean Sénac (Self)'s journey. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen.
How Does Jean Sénac (Self)'s Story End?
- Jean Sénac: Jean Sénac's arc reaches a definitive conclusion by the final act, with Gérard Patris delivering a resolution that feels earned after the film's 0h 24m runtime.
- Brahim Hadjadj (Self): Brahim Hadjadj's role in the climax proves pivotal to how the central conflict resolves.
- Luchino Visconti (Self): Luchino Visconti's character undergoes a significant shift in the final act.
What Does the Ending of A Propos D'Un Crime Mean?
A Propos D'Un Crime concludes with Gérard Patris reinforcing the documentary themes established throughout the film. The final moments with Jean Sénac leave a lasting impression — the ending is both a resolution and a statement about the story's central questions.
A Propos D'Un Crime Real vs. Reel: Is it Based on a True Story?
Is A Propos D'Un Crime Based on a True Story?
No, A Propos D'Un Crime is a work of fiction. While the documentary film directed by Gérard Patris and starring Jean Sénac may incorporate realistic themes, the characters and plot are original creations.
Who Should Watch A Propos D'Un Crime?
Age Advisory: Rated Not Rated.
Highly Recommended For:
- Fans of Documentaries cinema looking for quality storytelling
- Viewers who appreciate well-executed genre storytelling
- Anyone seeking a well-crafted film that delivers on its promises
At just 24 minutes, it's a quick watch.
A Propos D'Un Crime Parents Guide & Age Rating
1967 AdvisoryWondering about A Propos D'Un Crime age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of A Propos D'Un Crime (1967) is 24 minutes (24m). Directed by Gérard Patris, the film runs for 24 minutes in its complete theatrical version.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 10.0/10, and global performance metrics, A Propos D'Un Crime is classified as a SUPER HIT. It remains an essential part of the 1967 cinematic calendar.
Frequently Asked Questions
Is A Propos D'Un Crime worth watching?
A Propos D'Un Crime is definitely worth watching if you enjoy Documentary movies. It has a verified rating of 10/10 and stands as a SUPER HIT in our box office analysis.
Where can I find A Propos D'Un Crime parents guide and age rating?
The official parents guide for A Propos D'Un Crime identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the runtime of A Propos D'Un Crime (1967)?
The runtime of A Propos D'Un Crime (1967) is 24 minutes (approximately 0h 24m).
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
