Is A Week Alone Worth Watching?
Answer: Maybe not, A Week Alone is likely a skip if you enjoy Drama movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to general audiences.

Verdict:A Week Alone is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.6/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, A Week Alone is likely a skip if you enjoy Drama movies.
It features a runtime of 110 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2009, A Week Alone emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Maria is a girl in her early teens whose family lives in an upscale gated suburb. Unlike standard genre fare, A Week Alone attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Celina Murga, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and A Week Alone features a noteworthy lineup led by Natalia Gómez Alarcón. Supported by the likes of Ignacio Giménez and Lucas Del Bo, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Natalia Gómez Alarcón, Ignacio Giménez, Lucas Del Bo manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2009 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, A Week Alone is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of A Week Alone follows a sophisticated brisk pace. Over its 110 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, A Week Alone resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, A Week Alone is more than just its synopsis. It is an inquiry into the complexity of relationships. Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of A Week Alone (2009) is overwhelmingly divisive. With an audience rating of 5.6/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Natalia Gómez Alarcón, Ignacio Giménez, Lucas Del Bo or the visual majesty of its technical execution, A Week Alone is a significant contribution to the cinema of 2009. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
FilminAnalyzing the audience sentiment, IMDb rating of 5.6/10, and global collection metrics, A Week Alone stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.
A Week Alone has received mixed reviews with a 5.6/10 rating, making it a moderate success with the audience.
A Week Alone is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
A Week Alone is currently available for streaming on Filmin. You can also check for it on platforms like Filmin depending on your region.
Maria is a girl in her early teens whose family lives in an upscale gated suburb. Maria's parents are going out of town for a week, and rather than leave her with relatives or hire a babysitter, Maria is put in charge of looking after her little sister Sofia, with housekeeper Esther serving as a nominal adult authority figure, though for the most part she lets Maria and the others do what they please. With only their parents bedroom off-limits, Maria and Sofia have the run of the house, and soon they and their friends Facundo, Quique, Rodrigo and Timmy are spending their days exploring the place. As the kids begin creating their own rules to run counter to the ones their absent parents set down, Esther brings a young relative, Fernando, to play with them, and the privileged kids begin to get a notion of the ways of the outside world.