A Woman's Face
Performance & Direction: A Woman's Face Review
Last updated: February 15, 2026
Quick Verdict: Hit or Flop?
Is A Woman's Face (1941) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.8/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and A Woman's Face features a noteworthy lineup led by Joan Crawford . Supported by the likes of Melvyn Douglas and Conrad Veidt , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: A Woman's Face
Quick Plot Summary: Released in 1941, A Woman's Face is a Drama, Thriller film directed by George Cukor. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Joan Crawford.
Ending Explained: A Woman's Face
Ending Breakdown: Directed by George Cukor, A Woman's Face concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The final reveal recontextualizes earlier scenes involving Joan Crawford, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of A Woman's Face reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch A Woman's Face?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of Joan Crawford or the director
- Want a character-driven story with emotional moments
Box Office Collection: A Woman's Face
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $1.3M |
| Worldwide Gross | $1.9M |
| Trade Verdict | CLEAN HIT |
A Woman's Face Budget
The estimated production budget for A Woman's Face is $1.3M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: A Woman's Face
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Where to Watch A Woman's Face Online?
Streaming Hub🎟️ Rent on
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Fandango At HomeA Woman's Face Parents Guide & Age Rating
1941 AdvisoryWondering about A Woman's Face age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of A Woman's Face is 106 minutes (1h 46m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.8/10, and global performance metrics, A Woman's Face is classified as a HIT. It remains an essential part of the 1941 cinematic calendar.
Frequently Asked Questions
Is A Woman's Face worth watching?
A Woman's Face is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.8/10 and stands as a HIT in our box office analysis.
Where can I find A Woman's Face parents guide and age rating?
The official parents guide for A Woman's Face identifies it as NR. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of A Woman's Face?
The total duration of A Woman's Face is 106 minutes, which is approximately 1h 46m long.
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Critic Reviews for A Woman's Face
Joan Crawford ("Anna") is on top form in this adept Cukorian adaptation of Francis de Croisset's play. Set in Sweden, she is a young girl scarred after an accident in her home many years earlier. Feeling herself rejected by society, she turns to petty blackmail with "Barring" (Conrad Veidt) and alights on the cheating wife "Vera" (Isa Massen) of plastic surgeon "Gustaf" (Melvyn Douglas). Whilst amidst her extortion attempts, she is apprehended by the doctor who mistakes her for a burglar. Persuaded not to call the police by his wife, "Gustaf" turns his attention to her disfigurement, and offers to help... Meantime, "Barring" is starting to run out of credit, so tells her of his wealthy uncle who has only a young grandson to inherit his fortune. Should anything happen to the young boy, then it would all be his - or, theirs! She pretends to be a governess and heads to look after the young lad. Will she carry out their dastardly plan and dispose of their obstacle to wealth and happiness? It's told by way of a trial at which "Anna" is the accused, so for most of the film we are not entirely sure who has been killed - or, indeed, who did any killing. The method by which each "witness" gives their statement fills in parts of the jigsaw without ever spoiling the suspense. Veidt is great as the baddie - as usual, and Richard Nichols is engaging as the mischievous four year old object of their ploy "Lars-Erik". Crawford's characterisation is strong and layered - we begin to see a little more of this flawed woman as the story progresses - even eliciting a touch of unlikely sympathy. This is a compelling drama, well paced with plenty of meat on it's bones and well worth a watch.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
