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Aimless Bullet movie poster - Aimless Bullet review and rating on movieMx
1961107 minDrama

Aimless Bullet

Is Aimless Bullet a Hit or Flop?

HIT

Is Aimless Bullet worth watching? With a rating of 7/10, this Drama film is a must-watch hit for fans of the genre. Read on for our detailed analysis and user reviews.

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Aimless Bullet Synopsis

Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.

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Top Cast

Kim Jin-kyu
Kim Jin-kyuCheol-ho
Choi Mu-ryong
Choi Mu-ryongYeong-ho
Seo Ae-ja
Seo Ae-jaMyung-sook
Kim Hye-jeong
Kim Hye-jeongMiri
No Jae-shin
No Jae-shinMother
Moon Jeong-suk
Moon Jeong-sukWife
Yoon Il-bong
Yoon Il-bong
Yu Gye-seon
Yu Gye-seonMadame
Nam Chun-yeok
Nam Chun-yeokOld Man
Park Gyeong-hui
Park Gyeong-hui

Frequently Asked Questions

Is Aimless Bullet worth watching?

Yes, Aimless Bullet is definitely worth watching! With a rating of 7/10, it's highly recommended for fans of Drama movies.

Is Aimless Bullet hit or flop?

Based on audience ratings (7/10), Aimless Bullet is considered a hit among viewers.

What genre is Aimless Bullet?

Aimless Bullet is a Drama movie that Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in pos...

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Critic Reviews

deepkinoNov 29, 2025
★ 0

I’m struck by how Yoo Hyun-mok fuses Italian Neorealism with a distinctly Korean sense of moral paralysis, creating a portrait of post-war despair that still feels uncomfortably present. The film’s cramped interiors, handheld street scenes, and jarring cuts trap the viewer inside the same psychological claustrophobia that consumes its characters. Rather than depicting dramatic collapse, Obaltan shows a slow erosion—lives quietly worn down by debt, trauma, and a social order struggling to rebuild on spiritual ruins. Its bleakness isn’t decorative; it functions as a diagnosis, an autopsy of a society trying to move forward while still bleeding internally. What fascinates me is how the aesthetic mix of documentary immediacy and expressionist anxiety makes even brief moments of hope feel intrusive, almost inappropriate.