Is Alive Worth Watching?
Answer: Yes, Alive is definitely worth watching if you enjoy Drama movies.
It features a runtime of 175 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Alive is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.3/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Alive is definitely worth watching if you enjoy Drama movies.
It features a runtime of 175 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2015, Alive emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of You earn as much as you work, and you live off that money. Unlike standard genre fare, Alive attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Park Jung-bum, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Alive features a noteworthy lineup led by Park Jung-bum. Supported by the likes of Lee Seung-yeon and Park Myung-hoon, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Park Jung-bum, Lee Seung-yeon, Park Myung-hoon manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2015 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Alive is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Alive follows a sophisticated deliberate pace. Over its 175 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. While some may find the extended runtime testing, the investment pays off for audiences who appreciate a narrative that isn`t afraid to breathe and explore its more nuanced corners.
Beyond its immediate entertainment value, Alive resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6.3/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Alive is more than just its synopsis. It is an inquiry into the complexity of relationships. You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Alive (2015) is overwhelmingly divisive. With an audience rating of 6.3/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Park Jung-bum, Lee Seung-yeon, Park Myung-hoon or the visual majesty of its technical execution, Alive is a significant contribution to the cinema of 2015. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Google Play Movies
Google Play MoviesAnalyzing the audience sentiment, IMDb rating of 6.3/10, and global collection metrics, Alive stands as a challenging project for the creators. It remains an essential piece of the 2015 cinematic year.
Alive has received mixed reviews with a 6.3/10 rating, making it a moderate success with the audience.
Alive is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Alive may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
You earn as much as you work, and you live off that money. This simple proposition has always been a problem for Jung-cheol. At the soybean paste factory he went to work for in the bitter winter, he dreams of travelling to warm Philippines in spring - as long as he survives the winter making his portion of the soybean paste that he promised the boss. But the more he struggles to live, the worse it gets. And soon, the fermentation room turns musty with the black mold spreading from the thousands of ferment boiled soybean lumps.