Is Alle nicht ganz dicht Worth Watching?
Answer: Maybe not, Alle nicht ganz dicht is likely a skip if you enjoy TV Movie movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Alle nicht ganz dicht is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.8/10, it has delivered a mixed experience for fans of the TV Movie, Comedy genre.
Answer: Maybe not, Alle nicht ganz dicht is likely a skip if you enjoy TV Movie movies.
It features a runtime of 89 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2024, Alle nicht ganz dicht emerges as a significant entry in the TV Movie, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of What happens when “old” and “new work” collide? Barbara Lucke was the grand dame of the works council at Sander Versandhaus for decades. Unlike standard genre fare, Alle nicht ganz dicht attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Lars Jessen, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the TV Movie elements serve the larger narrative arc rather than just providing spectacle.
The success of any TV Movie is often anchored by its ensemble, and Alle nicht ganz dicht features a noteworthy lineup led by Ulrike Kriener. Supported by the likes of Tim Oliver Schultz and Sevda Polat, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Ulrike Kriener, Tim Oliver Schultz, Sevda Polat manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2024 cinema, these performances stand as a testament to the evolving standards of acting within the TV Movie, Comedy space.
From a technical perspective, Alle nicht ganz dicht is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Alle nicht ganz dicht follows a sophisticated brisk pace. Over its 89 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Alle nicht ganz dicht resonates with contemporary social and cultural themes prevalent in the TV Movie landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Alle nicht ganz dicht is more than just its synopsis. It is an inquiry into the boundaries of human experience. What happens when “old” and “new work” collide? Barbara Lucke was the grand dame of the works council at Sander Versandhaus for decades. Now, after 30 years, she is unexpectedly voted out of office, loses her leave of absence and has to return to her old job as a former clerk shortly before retirement - in the department of her son Bastian, of all places, who as an up-and-coming department head wants and needs to impress with modern leadership.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Alle nicht ganz dicht (2024) is overwhelmingly divisive. With an audience rating of 5.8/10 and strong performance metrics in the TV Movie, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Ulrike Kriener, Tim Oliver Schultz, Sevda Polat or the visual majesty of its technical execution, Alle nicht ganz dicht is a significant contribution to the cinema of 2024. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Amazon Video
Amazon VideoAnalyzing the audience sentiment, IMDb rating of 5.8/10, and global collection metrics, Alle nicht ganz dicht stands as a challenging project for the creators. It remains an essential piece of the 2024 cinematic year.
Alle nicht ganz dicht has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
Alle nicht ganz dicht is a mixed bag. It might be worth watching if you're a fan of TV Movie, Comedy movies, but read reviews first.
Alle nicht ganz dicht may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Alle nicht ganz dicht has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
Alle nicht ganz dicht is a mixed bag. It might be worth watching if you're a fan of TV Movie, Comedy movies, but read reviews first.
Alle nicht ganz dicht may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Alle nicht ganz dicht is a TV Movie, Comedy movie that follows: What happens when “old” and “new work” collide? Barbara Lucke was the grand dame of the works council at Sander Versandhaus for decades. Now, after 30 years, she is unexpectedly voted out of office, l...
Yes, Alle nicht ganz dicht is generally suitable for family viewing as it is a TV Movie, Comedy movie.
Alle nicht ganz dicht is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
What happens when “old” and “new work” collide? Barbara Lucke was the grand dame of the works council at Sander Versandhaus for decades. Now, after 30 years, she is unexpectedly voted out of office, loses her leave of absence and has to return to her old job as a former clerk shortly before retirement - in the department of her son Bastian, of all places, who as an up-and-coming department head wants and needs to impress with modern leadership.
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