Verdict:Alles was recht ist – Väter, Töchter, Söhne is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the TV Movie, Comedy genre.
Answer: Yes, Alles was recht ist – Väter, Töchter, Söhne is definitely worth watching if you enjoy TV Movie movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2011, Alles was recht ist – Väter, Töchter, Söhne emerges as a significant entry in the TV Movie, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Two fathers are fighting for a child: Franz Bergen, head of a church choir, wants to fight the right of access to the young son of the pub René Dörfler. Unlike standard genre fare, Alles was recht ist – Väter, Töchter, Söhne attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Christoph Schrewe, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the TV Movie elements serve the larger narrative arc rather than just providing spectacle.
The success of any TV Movie is often anchored by its ensemble, and Alles was recht ist – Väter, Töchter, Söhne features a noteworthy lineup led by Michaela May. Supported by the likes of Götz Schubert and Anna Schudt, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Michaela May, Götz Schubert, Anna Schudt manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2011 cinema, these performances stand as a testament to the evolving standards of acting within the TV Movie, Comedy space.
From a technical perspective, Alles was recht ist – Väter, Töchter, Söhne is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Alles was recht ist – Väter, Töchter, Söhne follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Alles was recht ist – Väter, Töchter, Söhne resonates with contemporary social and cultural themes prevalent in the TV Movie landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Alles was recht ist – Väter, Töchter, Söhne is more than just its synopsis. It is an inquiry into the boundaries of human experience. Two fathers are fighting for a child: Franz Bergen, head of a church choir, wants to fight the right of access to the young son of the pub René Dörfler. At first, Judge Lena Kalbach does not allow the lawsuit - until it turns out that Bergen, as a sperm donor, is the biological father of the child. A delicate case for which Lena has to find a solution with great tact. But she is also personally affected by the issue of fatherhood: Her adult daughter Nike finally wants to know who her father is. In the third part of the popular TV series, Michaela May again plays the smart judge Lena Kalbach.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Alles was recht ist – Väter, Töchter, Söhne (2011) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the TV Movie, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Michaela May, Götz Schubert, Anna Schudt or the visual majesty of its technical execution, Alles was recht ist – Väter, Töchter, Söhne is a significant contribution to the cinema of 2011. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, Alles was recht ist – Väter, Töchter, Söhne stands as a challenging project for the creators. It remains an essential piece of the 2011 cinematic year.
Alles was recht ist – Väter, Töchter, Söhne has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
Alles was recht ist – Väter, Töchter, Söhne is a mixed bag. It might be worth watching if you're a fan of TV Movie, Comedy movies, but read reviews first.
Alles was recht ist – Väter, Töchter, Söhne may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Alles was recht ist – Väter, Töchter, Söhne has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
Alles was recht ist – Väter, Töchter, Söhne is a mixed bag. It might be worth watching if you're a fan of TV Movie, Comedy movies, but read reviews first.
Alles was recht ist – Väter, Töchter, Söhne may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Alles was recht ist – Väter, Töchter, Söhne is a TV Movie, Comedy movie that follows: Two fathers are fighting for a child: Franz Bergen, head of a church choir, wants to fight the right of access to the young son of the pub René Dörfler. At first, Judge Lena Kalbach does not allow the...
Yes, Alles was recht ist – Väter, Töchter, Söhne is generally suitable for family viewing as it is a TV Movie, Comedy movie.
Alles was recht ist – Väter, Töchter, Söhne is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Explore the full watch order, ratings, and collection details.
View Full FranchiseTwo fathers are fighting for a child: Franz Bergen, head of a church choir, wants to fight the right of access to the young son of the pub René Dörfler. At first, Judge Lena Kalbach does not allow the lawsuit - until it turns out that Bergen, as a sperm donor, is the biological father of the child. A delicate case for which Lena has to find a solution with great tact. But she is also personally affected by the issue of fatherhood: Her adult daughter Nike finally wants to know who her father is. In the third part of the popular TV series, Michaela May again plays the smart judge Lena Kalbach.
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