Is Almost Worth Watching?
Answer: Yes, Almost is definitely worth watching if you enjoy Romance movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Almost is a confirmed HIT based on our analysis of audience ratings and box office momentum.
With a rating of 6.6/10, it has delivered a mixed experience for fans of the Romance genre.
Answer: Yes, Almost is definitely worth watching if you enjoy Romance movies.
It features a runtime of 10 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 2011, Almost emerges as a significant entry in the Romance domain. The narrative core of the film focuses on a sophisticated exploration of Oscar jumps on his subway as every day. Unlike standard genre fare, Almost attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Uwe Greiner, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Romance elements serve the larger narrative arc rather than just providing spectacle.
The success of any Romance is often anchored by its ensemble, and Almost features a noteworthy lineup led by Jörg Witte. Supported by the likes of Luisa Katharina Davids and Stefanie von Poser, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Jörg Witte, Luisa Katharina Davids, Stefanie von Poser manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2011 cinema, these performances stand as a testament to the evolving standards of acting within the Romance space.
From a technical perspective, Almost is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Almost follows a sophisticated brisk pace. Over its 10 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Almost resonates with contemporary social and cultural themes prevalent in the Romance landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6.6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Almost is more than just its synopsis. It is an inquiry into the boundaries of human experience. Oscar jumps on his subway as every day. But at that morning a side-glance wipes every ritual away...Catherine! Two unknown whose glimpses are coming across in the following weeks. Oscar knows that he would not show the courage to come in contact with her all the more after an embarrassing mishap so he is casting for another way to give her a sign whose uniqueness he is hoping she will understand.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Almost (2011) is overwhelmingly generally positive. With an audience rating of 6.6/10 and strong performance metrics in the Romance categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Jörg Witte, Luisa Katharina Davids, Stefanie von Poser or the visual majesty of its technical execution, Almost is a significant contribution to the cinema of 2011. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Disney PlusAnalyzing the audience sentiment, IMDb rating of 6.6/10, and global collection metrics, Almost stands as a successful venture for the creators. It remains an essential piece of the 2011 cinematic year.
Almost has received mixed reviews with a 6.6/10 rating, making it a moderate success with the audience.
Almost is a mixed bag. It might be worth watching if you're a fan of Romance movies, but read reviews first.
Almost is currently available for streaming on Disney Plus. You can also check for it on platforms like Disney Plus depending on your region.
Oscar jumps on his subway as every day. But at that morning a side-glance wipes every ritual away...Catherine! Two unknown whose glimpses are coming across in the following weeks. Oscar knows that he would not show the courage to come in contact with her all the more after an embarrassing mishap so he is casting for another way to give her a sign whose uniqueness he is hoping she will understand.