Verdict:Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.0/10, it has delivered a mixed experience for fans of the Comedy genre.
Answer: Maybe not, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is likely a skip if you enjoy Comedy movies.
It features a runtime of 102 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1995, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Boy and Dennis are ex-convicts who are trying to start a new life with their girlfriends. Unlike standard genre fare, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Efren Jarlego, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) features a noteworthy lineup led by Joey de Leon. Supported by the likes of Samantha Lopez and Dennis Padilla, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Joey de Leon, Samantha Lopez, Dennis Padilla manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1995 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy space.
From a technical perspective, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) follows a sophisticated brisk pace. Over its 102 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is more than just its synopsis. It is an inquiry into the boundaries of human experience. Boy and Dennis are ex-convicts who are trying to start a new life with their girlfriends. But soon their criminal past catches upon them.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) (1995) is overwhelmingly negative. With an audience rating of 2/10 and strong performance metrics in the Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Joey de Leon, Samantha Lopez, Dennis Padilla or the visual majesty of its technical execution, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is a significant contribution to the cinema of 1995. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 2/10, and global collection metrics, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) stands as a challenging project for the creators. It remains an essential piece of the 1995 cinematic year.
Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) is considered a flop based on audience ratings of 2/10 and lower collections.
Based on the low rating of 2/10, Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) may not be worth watching unless you are a die-hard fan.
Ang Tipo Kong Lalake (Maginoo Pero Medyo Bastos) may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Boy and Dennis are ex-convicts who are trying to start a new life with their girlfriends. But soon their criminal past catches upon them.