Is Asmodée Worth Watching?
Answer: Maybe not, Asmodée is likely a skip if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Asmodée is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Asmodée is likely a skip if you enjoy Drama movies.
It features a runtime of 90 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1959, Asmodée emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Marcelle de Barthas is young French widow, who since her husband’s death some seven years previously, has lived a secluded life in her country house, with her four children. Unlike standard genre fare, Asmodée attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of the director, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Asmodée features a noteworthy lineup led by Marius Goring. Supported by the likes of Helen Cherry and Pamela Buck, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Marius Goring, Helen Cherry, Pamela Buck manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1959 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Asmodée is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Asmodée follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Asmodée resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Asmodée is more than just its synopsis. It is an inquiry into the complexity of relationships. Marcelle de Barthas is young French widow, who since her husband’s death some seven years previously, has lived a secluded life in her country house, with her four children. The eldest one, Emmy, is a beautiful and pure young girl of seventeen, who tentatively believes she has a calling to the religious life. The second child, Bertrand, aged fifteen, has been sent to England for an exchange holiday with a young English boy, Harry Fanning, and when the play opens, the French children are excitedly awaiting his arrival. Also living with the family is a French governess, and a tutor, Blaise Lebel. Lebel has a sombre power over the family, and it is the ‘intrusion’ of Harry that sets in motion in him a wave of resentment and fear.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Asmodée (1959) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Marius Goring, Helen Cherry, Pamela Buck or the visual majesty of its technical execution, Asmodée is a significant contribution to the cinema of 1959. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Asmodée stands as a challenging project for the creators. It remains an essential piece of the 1959 cinematic year.
Asmodée is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Asmodée may not be worth watching unless you are a die-hard fan.
Asmodée may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Marcelle de Barthas is young French widow, who since her husband’s death some seven years previously, has lived a secluded life in her country house, with her four children. The eldest one, Emmy, is a beautiful and pure young girl of seventeen, who tentatively believes she has a calling to the religious life. The second child, Bertrand, aged fifteen, has been sent to England for an exchange holiday with a young English boy, Harry Fanning, and when the play opens, the French children are excitedly awaiting his arrival. Also living with the family is a French governess, and a tutor, Blaise Lebel. Lebel has a sombre power over the family, and it is the ‘intrusion’ of Harry that sets in motion in him a wave of resentment and fear.