Is Bad City Worth Watching?
Answer: Maybe not, Bad City is likely a skip if you enjoy Crime movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to mature audiences.

Verdict:Bad City is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 3.5/10, it has delivered a mixed experience for fans of the Crime, Action, Comedy genre.
Answer: Maybe not, Bad City is likely a skip if you enjoy Crime movies.
It features a runtime of 100 minutes and offers a standard storyline that appeals to mature audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2014, Bad City emerges as a significant entry in the Crime, Action, Comedy domain. The narrative core of the film focuses on a sophisticated exploration of Bad City is on the edge of falling into the hands of a madman, you dig? A strange and funky new party drug is killing kids left and right and that jive-ass, crooked city councilor Dominic Kincaid is behind it all. Unlike standard genre fare, Bad City attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Carl Bessai, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Crime elements serve the larger narrative arc rather than just providing spectacle.
The success of any Crime is often anchored by its ensemble, and Bad City features a noteworthy lineup led by Aaron Brooks. Supported by the likes of Dustin Milligan and Amanda Crew, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Aaron Brooks, Dustin Milligan, Amanda Crew manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2014 cinema, these performances stand as a testament to the evolving standards of acting within the Crime, Action, Comedy space.
From a technical perspective, Bad City is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Bad City follows a sophisticated brisk pace. Over its 100 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Bad City resonates with contemporary social and cultural themes prevalent in the Crime landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 3.5/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Bad City is more than just its synopsis. It is an inquiry into the boundaries of human experience. Bad City is on the edge of falling into the hands of a madman, you dig? A strange and funky new party drug is killing kids left and right and that jive-ass, crooked city councilor Dominic Kincaid is behind it all. After murdering the mayor, Kincaid has his sights set on taking over and running the city his way, the bad way. Thankfully, the one and only superfly Detective Franky New Guinea and his new partner, the truly unruly Detective Reverend Grizzly Night-Bear, are here to make sure that Bad City stays groovy and is run the good way: the Bad way (it's different from the first bad way, and better). So get ready to boogie, cats, 'cause these cops are outta sight like dy-no-mite and the only thing they love more than sex, drugs, and growing body hair is taking down turkeys like Kincaid who threaten their BAD CITY.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Bad City (2014) is overwhelmingly negative. With an audience rating of 3.5/10 and strong performance metrics in the Crime, Action, Comedy categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Aaron Brooks, Dustin Milligan, Amanda Crew or the visual majesty of its technical execution, Bad City is a significant contribution to the cinema of 2014. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 3.5/10, and global collection metrics, Bad City stands as a challenging project for the creators. It remains an essential piece of the 2014 cinematic year.
Bad City is considered a flop based on audience ratings of 3.5/10 and lower collections.
Based on the low rating of 3.5/10, Bad City may not be worth watching unless you are a die-hard fan.
Bad City may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Bad City is on the edge of falling into the hands of a madman, you dig? A strange and funky new party drug is killing kids left and right and that jive-ass, crooked city councilor Dominic Kincaid is behind it all. After murdering the mayor, Kincaid has his sights set on taking over and running the city his way, the bad way. Thankfully, the one and only superfly Detective Franky New Guinea and his new partner, the truly unruly Detective Reverend Grizzly Night-Bear, are here to make sure that Bad City stays groovy and is run the good way: the Bad way (it's different from the first bad way, and better). So get ready to boogie, cats, 'cause these cops are outta sight like dy-no-mite and the only thing they love more than sex, drugs, and growing body hair is taking down turkeys like Kincaid who threaten their BAD CITY.