Bad Tales
Performance & Direction: Bad Tales Review
Last updated: February 23, 2026
Quick Verdict: Hit or Flop?
Is Bad Tales (2020) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.7/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Bad Tales features a noteworthy lineup led by Elio Germano . Supported by the likes of Tommaso Di Cola and Giulietta Rebeggiani , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Bad Tales
Quick Plot Summary: Released in 2020, Bad Tales is a Drama film directed by Fabio D'Innocenzo. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Elio Germano.
Story Breakdown
This character-driven narrative explores the internal and external conflicts that define the human experience. In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community. The screenplay takes time to develop Elio Germano's journey, allowing audiences to connect emotionally with their struggles and triumphs. Each scene builds upon the last, creating a cumulative emotional impact.
Narrative Structure
- Opening Hook: We meet the main character in their ordinary world, establishing the emotional baseline before the inciting incident disrupts their life.
- Character Arc: The main character shows growth throughout the story, though some supporting characters could have been more fully realized. Elio Germano's arc is present but occasionally predictable.
- Climax & Resolution: The emotional climax brings character arcs to their natural conclusion, providing catharsis while staying true to the story's core themes.
Ending Explained: Bad Tales
Ending Breakdown: Directed by Fabio D'Innocenzo, Bad Tales concludes its story with a mix of closure and open interpretation. The finale presents its approach to drama resolution.
The emotional climax centers on character transformation involving Elio Germano, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes established throughout the runtime.
The final moments of Bad Tales reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Bad Tales?
Worth Watching If You:
- Enjoy Drama films and don't mind familiar tropes
- Are a fan of Elio Germano or the director
- Want a character-driven story with emotional moments
Top Cast: Bad Tales
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Where to Watch Bad Tales Online?
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Apple TV Store
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Fandango At HomeBad Tales Parents Guide & Age Rating
2020 AdvisoryWondering about Bad Tales age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Bad Tales is 98 minutes (1h 38m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.7/10, and global performance metrics, Bad Tales is classified as a HIT. It remains an essential part of the 2020 cinematic calendar.
Frequently Asked Questions
Is Bad Tales worth watching?
Bad Tales is definitely worth watching if you enjoy Drama movies. It has a verified rating of 6.7/10 and stands as a HIT in our box office analysis.
Where can I find Bad Tales parents guide and age rating?
The official parents guide for Bad Tales identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Bad Tales?
The total duration of Bad Tales is 98 minutes, which is approximately 1h 38m long.
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Critic Reviews for Bad Tales
This is a fairly savage indictment of suburban family living. Set on the outskirts of Rome - but it could as easily be London or Paris, this swaps the role normalcies of aspects of parenthood and visits the perceived sins of the parents back on themselves by way of their own children. Having been brought up in a comfortable enough swamp of ennui and uninspired hopelessness, it’s the children who decide that vengeance will be their’s as they, often entirely independently, plot revenge on those whose physical and cerebral inertia they feel has condemned them to perpetuate the mundanity of their parent’s lives. The theme is also quite portentous as although these families live in close proximity, there is little sense of community here. Instead, we have quite a potent sense of isolation that is only going to be exacerbated by social media trends that further negate the need for these youngsters to physically interact with anyone face-to-face. The parents range from the lovingly indifferent to the selfishly unbothered whilst the kids manage to come up with some remarkably grown up strategies to inflict their revenge, and along the way we expose and sometimes reinforce sexual stereotyping that does nobody any favours. Honestly, save for Barbara Chichiarelli’s powerful performance as “Dalila”, I didn’t find the acting or writing talent here especially noteworthy, but I’d probably edge the youngsters like Tommaso Di Cola as working harder to actually create personas that are more natural and deserving of our sympathy, or at least our engagement. It’s really the emotional aridness and almost auto-pilot nature of daily existence that raises the hairs on the back of your neck. Perhaps it’s familiarity? This has something of a documentary look to it as it sums life up as little more than a plodding precursor to death, with little to motivate the upcoming generations whose societal attitudes are already worryingly introspective.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.
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