Is Billy the Kid in Texas Worth Watching?
Answer: Maybe not, Billy the Kid in Texas is likely a skip if you enjoy Comedy movies.
It features a runtime of 52 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Billy the Kid in Texas is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 5.8/10, it has delivered a mixed experience for fans of the Comedy, Western genre.
Answer: Maybe not, Billy the Kid in Texas is likely a skip if you enjoy Comedy movies.
It features a runtime of 52 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1940, Billy the Kid in Texas emerges as a significant entry in the Comedy, Western domain. The narrative core of the film focuses on a sophisticated exploration of In the second of the "Billy the Kid" series from PRC that starred Bob Steele, Billy the Kid is being held on a trumped-up murder charge in a Mexico jail. Unlike standard genre fare, Billy the Kid in Texas attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Sam Newfield, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.
The success of any Comedy is often anchored by its ensemble, and Billy the Kid in Texas features a noteworthy lineup led by Bob Steele. Supported by the likes of Terry Walker and Al St. John, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Bob Steele, Terry Walker, Al St. John manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1940 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy, Western space.
From a technical perspective, Billy the Kid in Texas is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Billy the Kid in Texas follows a sophisticated brisk pace. Over its 52 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Billy the Kid in Texas resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 5.8/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Billy the Kid in Texas is more than just its synopsis. It is an inquiry into the boundaries of human experience. In the second of the "Billy the Kid" series from PRC that starred Bob Steele, Billy the Kid is being held on a trumped-up murder charge in a Mexico jail. He escapes and meets his pal, Fuzzy Jones, in Corral City, Texas, which is taking a holiday to allow the cowpunchers of the Lazy A Ranch their periodic spree. In the saloon, Billy is recognized by Dave Hendricks and Flash, two the Lazy A's bed men, as the rider who had held them up after they had robbed the express wagon a few hours earlier. Outside, Billy is ambushed and slightly wounded, and is taken to the express office by Jim Morgan where Mary Barton, the local agent, agrees to tend him until the doctor arrives. Billy turns over the loot he took from the outlaws and he is appointed sheriff, with Fuzzy as his deputy. The Lazy A gang brings in a noted gunfighter, Gil Cooper, who turns out to be Billy's brother. Billy, Gil and Fuzzy eventually rout the outlaw gang, and Gil remains behind with Mary as Billy and Fuzzy ride off.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Billy the Kid in Texas (1940) is overwhelmingly divisive. With an audience rating of 5.8/10 and strong performance metrics in the Comedy, Western categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Bob Steele, Terry Walker, Al St. John or the visual majesty of its technical execution, Billy the Kid in Texas is a significant contribution to the cinema of 1940. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 5.8/10, and global collection metrics, Billy the Kid in Texas stands as a challenging project for the creators. It remains an essential piece of the 1940 cinematic year.
Billy the Kid in Texas has received mixed reviews with a 5.8/10 rating, making it a moderate success with the audience.
Billy the Kid in Texas is a mixed bag. It might be worth watching if you're a fan of Comedy, Western movies, but read reviews first.
Billy the Kid in Texas may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Explore the full watch order, ratings, and collection details.
View Full FranchiseIn the second of the "Billy the Kid" series from PRC that starred Bob Steele, Billy the Kid is being held on a trumped-up murder charge in a Mexico jail. He escapes and meets his pal, Fuzzy Jones, in Corral City, Texas, which is taking a holiday to allow the cowpunchers of the Lazy A Ranch their periodic spree. In the saloon, Billy is recognized by Dave Hendricks and Flash, two the Lazy A's bed men, as the rider who had held them up after they had robbed the express wagon a few hours earlier. Outside, Billy is ambushed and slightly wounded, and is taken to the express office by Jim Morgan where Mary Barton, the local agent, agrees to tend him until the doctor arrives. Billy turns over the loot he took from the outlaws and he is appointed sheriff, with Fuzzy as his deputy. The Lazy A gang brings in a noted gunfighter, Gil Cooper, who turns out to be Billy's brother. Billy, Gil and Fuzzy eventually rout the outlaw gang, and Gil remains behind with Mary as Billy and Fuzzy ride off.