Is Bitch Worth Watching?
Answer: Maybe not, Bitch is likely a skip if you enjoy Romance movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Bitch is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Romance genre.
Answer: Maybe not, Bitch is likely a skip if you enjoy Romance movies.
It features a runtime of 88 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2009, Bitch emerges as a significant entry in the Romance domain. The narrative core of the film focuses on a sophisticated exploration of Elena Nikolaevna Luzhina is an iron businesswoman in her vivid manifestation. Unlike standard genre fare, Bitch attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Vladimir Shevelkov, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Romance elements serve the larger narrative arc rather than just providing spectacle.
The success of any Romance is often anchored by its ensemble, and Bitch features a noteworthy lineup led by Yekaterina Rednikova. Supported by the likes of Sergey Migitsko and Andrey Fedortsov, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Yekaterina Rednikova, Sergey Migitsko, Andrey Fedortsov manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2009 cinema, these performances stand as a testament to the evolving standards of acting within the Romance space.
From a technical perspective, Bitch is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Bitch follows a sophisticated brisk pace. Over its 88 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Bitch resonates with contemporary social and cultural themes prevalent in the Romance landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Bitch is more than just its synopsis. It is an inquiry into the boundaries of human experience. Elena Nikolaevna Luzhina is an iron businesswoman in her vivid manifestation. In her life, everything has its own order, place and purpose. She controls everything, always gets what she demands, pays for everything, does not tolerate objections, knows that she is called a bitch and seems proud of it.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Bitch (2009) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Romance categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Yekaterina Rednikova, Sergey Migitsko, Andrey Fedortsov or the visual majesty of its technical execution, Bitch is a significant contribution to the cinema of 2009. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $500,000 |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Bitch is $500,000. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Bitch stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.
Bitch is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Bitch may not be worth watching unless you are a die-hard fan.
Bitch may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Elena Nikolaevna Luzhina is an iron businesswoman in her vivid manifestation. In her life, everything has its own order, place and purpose. She controls everything, always gets what she demands, pays for everything, does not tolerate objections, knows that she is called a bitch and seems proud of it.