Broken Embraces backdrop - movieMx Review
Broken Embraces movie poster - Broken Embraces review and rating on movieMx
2009127 minDrama, Romance, Thriller

Broken Embraces

Is Broken Embraces a Hit or Flop?

HIT

Is Broken Embraces worth watching? With a rating of 7.1/10, this Drama, Romance, Thriller film is a must-watch hit for fans of the genre. Read on for our detailed analysis and user reviews.

7.1691 votes
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Broken Embraces Synopsis

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

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Top Cast

Penélope Cruz
Penélope CruzLena
Lluís Homar
Lluís HomarMateo Blanco / Harry Caine
Blanca Portillo
Blanca PortilloJudit García
José Luis Gómez
José Luis GómezErnesto Martel
Rubén Ochandiano
Rubén OchandianoRay X
Tamar Novas
Tamar NovasDiego
Ángela Molina
Ángela MolinaLena's Mother
Chus Lampreave
Chus LampreaveConcierge
Kiti Mánver
Kiti MánverMadame Mylene
Lola Dueñas
Lola DueñasLip Reader

Official Trailer

Frequently Asked Questions

Is Broken Embraces worth watching?

Yes, Broken Embraces is definitely worth watching! With a rating of 7.1/10, it's highly recommended for fans of Drama, Romance, Thriller movies.

Is Broken Embraces hit or flop?

Based on audience ratings (7.1/10), Broken Embraces is considered a hit among viewers.

What genre is Broken Embraces?

Broken Embraces is a Drama, Romance, Thriller movie that Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, ...

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Critic Reviews

badelfMay 3, 2025
★ 7

Broken Embraces: Almodóvar's Hitchcockian Love Letter to Cinema In "Broken Embraces," Pedro Almodóvar doesn't so much break new ground as he refines the soil he has long cultivated. Following masterworks like "Talk to Her" and "Volver," this film represents not a revolution but an elegant culmination of the Spanish auteur's preoccupations, filtered through a distinctly Hitchcockian lens. The film unfolds as a complex origami of narrative, with time folding back upon itself to reveal the tragic love story between filmmaker Mateo Blanco and his muse Lena. Here, Almodóvar pays homage to Hitchcock's fascination with voyeurism, doomed romance, and the thin line between creation and destruction. The film's noir elements – jealousy, revenge, hidden identities – feel like deliberate nods to the Master of Suspense, yet remain unmistakably Almodóvarian in their execution. At the center of this kaleidoscopic narrative stands Penélope Cruz, delivering a performance of remarkable complexity. As Lena, she exists simultaneously as object and subject, victim and agent of her own destiny. Cruz accomplishes the seemingly impossible task of projecting emotional transparency while maintaining an enigmatic core – we feel we know Lena intimately yet remain haunted by her fundamental unknowability. It's a testament to Cruz's evolution as an actress under Almodóvar's guidance. The meta-cinematic aspects of "Broken Embraces" – the film-within-a-film, the exploration of directorial vision (and its literal loss), the power dynamics of the creative process – create a hall of mirrors where art and life endlessly reflect one another. Almodóvar seems to be commenting on his own relationship with cinema, suggesting that creation itself is a form of obsessive love. Visually, the film showcases Almodóvar's mastery of color symbolism and compositional precision. Each frame feels deliberately constructed, with his signature vibrant palette serving narrative purpose rather than mere aesthetic pleasure. The contrast between the warm, sensual tones of the love affair and the cooler, more austere palette of the aftermath tells its own emotional story. "Broken Embraces" may not represent a dramatic leap forward in Almodóvar's filmography, but it demonstrates something equally valuable: a master filmmaker confidently synthesizing his influences and obsessions into a work of surprising emotional resonance. Like Hitchcock's later films, it feels like the work of an artist less interested in shocking his audience than in revealing the profound mysteries that have always driven his creative vision.