Is Bushman Worth Watching?
Answer: Yes, Bushman is definitely worth watching if you enjoy Documentary movies.
It features a runtime of 73 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Bushman is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Documentary, Drama genre.
Answer: Yes, Bushman is definitely worth watching if you enjoy Documentary movies.
It features a runtime of 73 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1971, Bushman emerges as a significant entry in the Documentary, Drama domain. The narrative core of the film focuses on a sophisticated exploration of 1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. Unlike standard genre fare, Bushman attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of David Schickele, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Bushman features a noteworthy lineup led by Paul Eyam Nzie Okpokam. Supported by the likes of Elaine Featherstone and Mike Slye, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Paul Eyam Nzie Okpokam, Elaine Featherstone, Mike Slye manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1971 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary, Drama space.
From a technical perspective, Bushman is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Bushman follows a sophisticated brisk pace. Over its 73 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Bushman resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 6/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Bushman is more than just its synopsis. It is an inquiry into the boundaries of human experience. 1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined – poetic in its approach to real events.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Bushman (1971) is overwhelmingly divisive. With an audience rating of 6/10 and strong performance metrics in the Documentary, Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Paul Eyam Nzie Okpokam, Elaine Featherstone, Mike Slye or the visual majesty of its technical execution, Bushman is a significant contribution to the cinema of 1971. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
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Fandango At HomeAnalyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, Bushman stands as a challenging project for the creators. It remains an essential piece of the 1971 cinematic year.
Bushman has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
Bushman is a mixed bag. It might be worth watching if you're a fan of Documentary, Drama movies, but read reviews first.
Bushman is currently available for streaming on Criterion Channel. You can also check for it on platforms like Criterion Channel, Kino Film Collection depending on your region.
1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined – poetic in its approach to real events.