Is Calling All Asses 2 Worth Watching?
Answer: Maybe not, Calling All Asses 2 is likely a skip if you enjoy movies.
It features a runtime of 115 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Calling All Asses 2 is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Calling All Asses 2 is likely a skip if you enjoy movies.
It features a runtime of 115 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 14, 2026
Released in the dynamic cinematic landscape of 2012, Calling All Asses 2 emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of To all you big ass lovers out there, Combat Zone and Michael Stefano present the second volume to the series "Calling All Asses". Unlike standard genre fare, Calling All Asses 2 attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of the director, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and Calling All Asses 2 features a noteworthy lineup led by Olivia Wilder. Supported by the likes of Charley Monroe and Jodi Taylor, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Olivia Wilder, Charley Monroe, Jodi Taylor manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2012 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, Calling All Asses 2 is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Calling All Asses 2 follows a sophisticated brisk pace. Over its 115 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Calling All Asses 2 resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Calling All Asses 2 is more than just its synopsis. It is an inquiry into the boundaries of human experience. To all you big ass lovers out there, Combat Zone and Michael Stefano present the second volume to the series "Calling All Asses". First Jaslin Diaz shows you her Latin big booty sitting on a stool. Every position she gets into really shows how voluptuous it is. She gets a creampie in the end. Then Jodi Taylor is outside naked with her butt pressed up against the glass sliding door, teasing Michael Stefano. Look at it in the 69 position. Olivia Wilder such a pretty brunette has such a sweet bubble ass. She receives Michael's load on that sweet ass. Then cute blonde Charley Monroe gets a good rimming and gets one hell of a facial.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Calling All Asses 2 (2012) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Olivia Wilder, Charley Monroe, Jodi Taylor or the visual majesty of its technical execution, Calling All Asses 2 is a significant contribution to the cinema of 2012. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Set within the thematic framework of the genre, Calling All Asses 2 delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "To all you big ass lovers out there, Combat Zone and Michael Stefano present the second volume to the series "Calling All Asses". First Jaslin Diaz shows you her Latin big booty sitting on a stool. Every position she gets into really shows how voluptuous it is. She gets a creampie in the end. Then Jodi Taylor is outside naked with her butt pressed up against the glass sliding door, teasing Michael Stefano. Look at it in the 69 position. Olivia Wilder such a pretty brunette has such a sweet bubble ass. She receives Michael's load on that sweet ass. Then cute blonde Charley Monroe gets a good rimming and gets one hell of a facial."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Calling All Asses 2 leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Calling All Asses 2's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Calling All Asses 2 stands as a challenging project for the creators. It remains an essential piece of the 2012 cinematic year.
Calling All Asses 2 is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Calling All Asses 2 may not be worth watching unless you are a die-hard fan.
Calling All Asses 2 may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
To all you big ass lovers out there, Combat Zone and Michael Stefano present the second volume to the series "Calling All Asses". First Jaslin Diaz shows you her Latin big booty sitting on a stool. Every position she gets into really shows how voluptuous it is. She gets a creampie in the end. Then Jodi Taylor is outside naked with her butt pressed up against the glass sliding door, teasing Michael Stefano. Look at it in the 69 position. Olivia Wilder such a pretty brunette has such a sweet bubble ass. She receives Michael's load on that sweet ass. Then cute blonde Charley Monroe gets a good rimming and gets one hell of a facial.