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Children of Paradise movie poster - Children of Paradise review and rating on movieMx
1945190 minDrama, Romance

Children of Paradise

Is Children of Paradise a Hit or Flop?

HIT

Is Children of Paradise worth watching? With a rating of 8.068/10, this Drama, Romance film is a must-watch hit for fans of the genre. Read on for our detailed analysis and user reviews.

8.068441 votes
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Children of Paradise Synopsis

In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.

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Top Cast

Arletty
ArlettyClaire Reine, dite Garance
Jean-Louis Barrault
Jean-Louis BarraultBaptiste Debureau
Pierre Brasseur
Pierre BrasseurFrédérick Lemaître
Marcel Herrand
Marcel HerrandPierre-François Lacenaire
María Casares
María CasaresNathalie
Louis Salou
Louis SalouÉdouard comte de Montray
Pierre Renoir
Pierre RenoirJericho
Jane Marken
Jane MarkenMme Hermine
Gaston Modot
Gaston ModotFil de Soie
Fabien Loris
Fabien LorisAvril

Official Trailer

Frequently Asked Questions

Is Children of Paradise worth watching?

Yes, Children of Paradise is definitely worth watching! With a rating of 8.068/10, it's highly recommended for fans of Drama, Romance movies.

Is Children of Paradise hit or flop?

Based on audience ratings (8.068/10), Children of Paradise is considered a hit among viewers.

What genre is Children of Paradise?

Children of Paradise is a Drama, Romance movie that In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actr...

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Critic Reviews

CinemaSerfMay 16, 2024
★ 7

Told in two acts with a curtain rising on both sections, this is quite a stylish, lavish even, and entertaining tale of a lady of the streets. "Garance" (Arletty) who sometimes uses her real name of "Claire Reine" is actually quite a decent woman who is wrongfully accused of pickpocketing in a busy market. Fortunately, the mime artist "Baptiste" comes to her rescue and quickly falls hook, line and sinker for the beautiful and charismatic woman. His problem is that she has no lack of suitors, and over the next three hours or so we are introduced to the lively and foppish "Lemaître" (Pierre Brasseur); the even more flamboyant but roguish "Lacenaire" (Marcel Herrand) and the aloof and sterile, but very wealthy "Comte de Montray" (Louis Salou). The plot itself isn't especially remarkable. A woman in the flushes of youth and attractiveness being sought after by a diverse collection of men. What makes this stand out is the marvellously applied mixture of heavily scored theatrical and cinematic styles. It's a love story and an adventure. How might things pan out for her as she ages, though? As her outward beauty begins to fade? Will any of them (or anyone else) still want her? Will she want them? The characters are quite roundly developed as director Marcel Carné takes his time to illustrate not just the persona of the heroine, but also those of her suitors whilst offering us a critique of a society in general that in early 19th century France mixed opulence with poverty, violence with tenderness. By using the different genres of theatre performances, Carné creatively provides us with a more subtle conduit between her series of trials and tribulations that allows us to tap into themes of culture and religion as well as human nature in many of it's guises. Arletty is on great form, as is Brasseur and given it was made just as the Nazi occupation was coming to it's own denouement, is quite an astonishingly artistic achievement that shows a nation with a healthy and defiant confidence in it's own identity and credentials.