Cock-a-Doodle-Do (2009) movie backdrop
Cock-a-Doodle-Do (2009) movie poster
⭐ Rating0/10
🎯 Verdict FLOP
👍 Good
  • Engaging Storyline
  • Strong Performances
👎 Bad
  • Pacing issues in mid
  • Predictable ending
2009119 minComedy
Audience VerdictFLOP

Cock-a-Doodle-Do

Cock-a-Doodle-Do Movie Hit or Flop?

FLOP

Verdict:Cock-a-Doodle-Do is a confirmed FLOP based on our analysis of audience ratings and box office momentum.

With a rating of 0.0/10, it has delivered a mixed experience for fans of the Comedy genre.

Is Cock-a-Doodle-Do Worth Watching?

Answer: Maybe not, Cock-a-Doodle-Do is likely a skip if you enjoy Comedy movies.

It features a runtime of 119 minutes and offers a standard storyline that appeals to general audiences.

0.00 votes
119Minutes
2009Release Year
Visual Story
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Cock-a-Doodle-Do Review

Last updated: January 13, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 2009, Cock-a-Doodle-Do emerges as a significant entry in the Comedy domain. The narrative core of the film focuses on a sophisticated exploration of "Power is sweetest when it is completely disproportionate – when a fool rules over the wise. Unlike standard genre fare, Cock-a-Doodle-Do attempts to deconstruct traditional tropes, offering a conventional take on its central themes.

The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Ladislav Smoček, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Comedy elements serve the larger narrative arc rather than just providing spectacle.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Comedy is often anchored by its ensemble, and Cock-a-Doodle-Do features a noteworthy lineup led by Jaromír Dulava. Supported by the likes of Ondřej Vetchý and Lucie Žáčková, the performances bring a palpable realism to the scripted words.

Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Jaromír Dulava, Ondřej Vetchý, Lucie Žáčková manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2009 cinema, these performances stand as a testament to the evolving standards of acting within the Comedy space.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Cock-a-Doodle-Do is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Cock-a-Doodle-Do follows a sophisticated brisk pace. Over its 119 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.

Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Cock-a-Doodle-Do resonates with contemporary social and cultural themes prevalent in the Comedy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.

This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.

📖 Plot Breakdown & Philosophical Subtext

Analyzing the plot deeper, Cock-a-Doodle-Do is more than just its synopsis. It is an inquiry into the boundaries of human experience. "Power is sweetest when it is completely disproportionate – when a fool rules over the wise..." Kundera's play reveals in a farcical, even sarcastic way what drives people. For some, the most important thing is to submit and have peace of mind, while others need power over others to live. Milan Kundera says of his comedy Ptákovina that "it is a comedy so frivolous that it is more than a comedy: it is nonsense." Its intricate plot is set in motion by the Director, who draws a rhombus on the blackboard in the classroom. And it is discovered. An investigation ensues, and the all-powerful man of the city, the Chairman, also enters the game. This myth-shrouded comedy was only performed briefly in our country in 1969, and since then no one has officially seen it here. Until September 2008, when director Ladislav Smoček staged it at the Činoherní klub in Prague.

The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Cock-a-Doodle-Do (2009) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Comedy categories, it stands as a highly recommended experience for genre enthusiasts.

Whether you choose to experience it for the stellar performances from Jaromír Dulava, Ondřej Vetchý, Lucie Žáčková or the visual majesty of its technical execution, Cock-a-Doodle-Do is a significant contribution to the cinema of 2009. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.

Parents Guide & Age Rating

Not Rated
Cock-a-Doodle-Do has not been officially rated yet.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Cock-a-Doodle-Do stands as a challenging project for the creators. It remains an essential piece of the 2009 cinematic year.

Frequently Asked Questions

Is Cock-a-Doodle-Do movie hit or flop?

Cock-a-Doodle-Do is considered a flop based on audience ratings of 0/10 and lower collections.

Is Cock-a-Doodle-Do worth watching?

Based on the low rating of 0/10, Cock-a-Doodle-Do may not be worth watching unless you are a die-hard fan.

Where can I watch Cock-a-Doodle-Do online?

Cock-a-Doodle-Do may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.

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Expert Consensus
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Synopsis

"Power is sweetest when it is completely disproportionate – when a fool rules over the wise..." Kundera's play reveals in a farcical, even sarcastic way what drives people. For some, the most important thing is to submit and have peace of mind, while others need power over others to live. Milan Kundera says of his comedy Ptákovina that "it is a comedy so frivolous that it is more than a comedy: it is nonsense." Its intricate plot is set in motion by the Director, who draws a rhombus on the blackboard in the classroom. And it is discovered. An investigation ensues, and the all-powerful man of the city, the Chairman, also enters the game. This myth-shrouded comedy was only performed briefly in our country in 1969, and since then no one has officially seen it here. Until September 2008, when director Ladislav Smoček staged it at the Činoherní klub in Prague.