Is Coming Through Worth Watching?
Answer: Maybe not, Coming Through is likely a skip if you enjoy Romance movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Coming Through is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 4.0/10, it has delivered a mixed experience for fans of the Romance, Drama, TV Movie genre.
Answer: Maybe not, Coming Through is likely a skip if you enjoy Romance movies.
It features a runtime of 80 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 12, 2026
Released in the dynamic cinematic landscape of 1985, Coming Through emerges as a significant entry in the Romance, Drama, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of While researching the work of author D. Unlike standard genre fare, Coming Through attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Peter Barber-Fleming, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Romance elements serve the larger narrative arc rather than just providing spectacle.
The success of any Romance is often anchored by its ensemble, and Coming Through features a noteworthy lineup led by Kenneth Branagh. Supported by the likes of Helen Mirren and Alison Steadman, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Kenneth Branagh, Helen Mirren, Alison Steadman manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1985 cinema, these performances stand as a testament to the evolving standards of acting within the Romance, Drama, TV Movie space.
From a technical perspective, Coming Through is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Coming Through follows a sophisticated brisk pace. Over its 80 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Coming Through resonates with contemporary social and cultural themes prevalent in the Romance landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 4/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Coming Through is more than just its synopsis. It is an inquiry into the boundaries of human experience. While researching the work of author D.H. Lawrence (Kenneth Branagh), Kate (Alison Steadman) begins a romance with a fellow academic, and learns about Lawrence's love affair with the married aristocrat Frieda Von Richthofen (Helen Mirren) in this made-for-television drama. As Lawrence and Von Richthofen fall deeper into their forbidden relationship, Kate grows more familiar with Lawrence's work, such as the sensuous Lady Chatterly's Lover.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Coming Through (1985) is overwhelmingly negative. With an audience rating of 4/10 and strong performance metrics in the Romance, Drama, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Kenneth Branagh, Helen Mirren, Alison Steadman or the visual majesty of its technical execution, Coming Through is a significant contribution to the cinema of 1985. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Amazon Prime Video
Amazon Prime Video with AdsAnalyzing the audience sentiment, IMDb rating of 4/10, and global collection metrics, Coming Through stands as a challenging project for the creators. It remains an essential piece of the 1985 cinematic year.
Coming Through is considered a flop based on audience ratings of 4/10 and lower collections.
Based on the low rating of 4/10, Coming Through may not be worth watching unless you are a die-hard fan.
Coming Through is currently available for streaming on Amazon Prime Video. You can also check for it on platforms like Amazon Prime Video, Amazon Prime Video with Ads depending on your region.
While researching the work of author D.H. Lawrence (Kenneth Branagh), Kate (Alison Steadman) begins a romance with a fellow academic, and learns about Lawrence's love affair with the married aristocrat Frieda Von Richthofen (Helen Mirren) in this made-for-television drama. As Lawrence and Von Richthofen fall deeper into their forbidden relationship, Kate grows more familiar with Lawrence's work, such as the sensuous Lady Chatterly's Lover.