Deep Valley backdrop - movieMx Review
Deep Valley movie poster - Deep Valley review and rating on movieMx
1947104 minDrama, Romance, Crime, Thriller

Deep Valley

Is Deep Valley a Hit or Flop?

FLOP

Is Deep Valley worth watching? With a rating of 5.619/10, this Drama, Romance, Crime, Thriller film is a mixed-bag for fans of the genre. Read on for our detailed analysis and user reviews.

5.61921 votes
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Deep Valley Synopsis

A shy California farm girl falls head-over-heels in love with Barry Burnett, a fugitive from a chain gang building a road through the wilderness.

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Top Cast

Ida Lupino
Ida LupinoLibby Saul
Dane Clark
Dane ClarkBarry Burnette
Wayne Morris
Wayne MorrisJeff Barker
Fay Bainter
Fay BainterEllie Saul
Henry Hull
Henry HullCliff Saul
Willard Robertson
Willard RobertsonSheriff Akers
John Alvin
John AlvinConvict
Leonard Bremen
Leonard BremenConvict
Ross Ford
Ross FordConvict
Bob Lowell
Bob LowellConvict

Frequently Asked Questions

Is Deep Valley worth watching?

Deep Valley has received mixed reviews with a 5.619/10 rating. It might be worth watching if you're a fan of Drama, Romance, Crime movies.

Is Deep Valley hit or flop?

Deep Valley has received average ratings (5.619/10), performing moderately with audiences.

What genre is Deep Valley?

Deep Valley is a Drama, Romance, Crime movie that A shy California farm girl falls head-over-heels in love with Barry Burnett, a fugitive from a chain gang building a road through the wilderness....

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Critic Reviews

John ChardMay 19, 2019
★ 6

Ain't no valley low enough - Ain't no river wide enough. Deep Valley is directed by Jean Negulesco and adapted to screenplay by Stephen Morehouse Avery and Salka Viertel from the novel written by Dan Totheroh. It stars Ida Lupino, Dane Clark and Wayne Morris. Music is by Max Steiner and cinematography by Ted McCord. Libby Saul (Lupino) lives in a run down farm house with her unfeeling and estranged parents. Having developed a stammer due to her stmyied life, her only solace comes from walking in the woods with her dog. Then one day she happens upon a convict work party and takes interest in one of them, Barry Burnette (Clark). He's free too... Off the bat you have to be warned that this is very slow going for the first two thirds - almost painfully so. So with the story hardly being compelling in the first instance, or credible of course, it's on shaky ground and becomes tough to recommend with confidence. However, there's plenty to enjoy as it plods along and the final third is well worth waiting for. The whole look of the piece is an atmospheric delight, McCord bringing some monochrome magic. The inside of the cottage is oppressive, director and cinematographer neatly marrying the visuals up to how Libby feels. Other scenes are pure visual treats, such as out in the barn as the sunlight shines through gaps in the wood to reveal a ghostly mist, or subtle shots like river ripples reflected onto Libby's face, there's enough tech skills on show to keep you interested. Add in yet another superb performance from Lupino and you should want to stay all the way here. Narratively it comes down to finding love under trying circumstance, and that of the big decisions we face in life. Libby is faced with a choice, the bad boy or safe boy conundrum rearing its potent head. It all builds to a finale of substance that tantalises the heart and head in equal measure. No great film by any stretch of the imagination, the tech credits better than the actual play itself, but it warrants respect and worth a viewing for sure. 6/10