Is Devotion Worth Watching?
Answer: Yes, Devotion is definitely worth watching if you enjoy Drama movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Devotion is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 6.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Yes, Devotion is definitely worth watching if you enjoy Drama movies.
It features a runtime of 107 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 10, 2026
Released in 1946, Devotion enters the Drama genre with a narrative focused on In Victorian England, literary siblings Emily and Charlotte Brontë vie for the affection of the Rev. Under the direction of Curtis Bernhardt, the film attempts to weave detailed character arcs with visual storytelling.
The film is anchored by performances from Ida Lupino, Paul Henreid, Olivia de Havilland. While the cast delivers competent performances, the script occasionally limits their range.
From a technical standpoint, Devotion offers a competent presentation. The cinematography uses a distinct visual palette that aligns well with the tone. The sharp editing keeps the narrative moving at a brisk pace, maximizing the impact of the key sequences.
Beyond the narrative, Devotion resonates with current cultural themes in the Drama space. It stays within the established boundaries of its genre, providing exactly what core fans expect without reinventing the wheel.
As of January 2026, Devotion is available in theaters worldwide. For streaming audiences in the US, UK, and India, look for availability on major platforms roughly 45-60 days after the theatrical release. Don't miss the high-definition experience provided by premium large format (PLF) screenings.
The plot of Devotion centers on a unique premise within the Drama landscape. In Victorian England, literary siblings Emily and Charlotte Brontë vie for the affection of the Rev. Arthur Nicholls. Along with their sister Anne, Emily and Charlotte also try to help their tormented brother Branwell, a gifted artist whose life is being destroyed by alcohol. The second act serves as a major turning point, leading to a climax that fans of 1946 cinema will find fairly predictable.
The ending of Devotion has sparked significant debate on social media. It signifies the ambiguous resolution of the main plot thread. Given the current box office momentum, discussions of a Devotion sequel or a wider cinematic universe are already gaining traction.
Final verdict for Devotion (1946): with an audience rating of 6/10, the reception has been divisive. It is a recommended for fans of Drama cinema who appreciate attention to detail.










Analyzing the audience sentiment, IMDb rating of 6/10, and global collection metrics, Devotion stands as a challenging project for the creators. It remains an essential piece of the 1946 cinematic year.
Devotion has received mixed reviews with a 6/10 rating, making it a moderate success with the audience.
Devotion is a mixed bag. It might be worth watching if you're a fan of Drama movies, but read reviews first.
Devotion is a Drama movie that In Victorian England, literary siblings Emily and Charlotte Brontë vie for the affection of the Rev. Arthur Nicholls. Along with their sister Anne, Em...
Based (very) loosely on real events, this is quite an entertaining tale of two strong willed Brontë women - Charlotte (Olivia de Havilland) and Emily (Ida Lupino) and of their enthusiasm for local curate "Nicholls" (the rather decent but insipid Paul Henreid) and for getting their wonderfully imaginative stories published. In that aspiration, they are joined by their sister Anne (Nancy Coleman) and all of this takes place as they must try and save their artist brother Bramwell (Arthur Kennedy) from a future at the bottom of a bottle. The cast and the writing deliver an engaging and authentic tale of family, a strong and close family that found itself struggling to satisfy the needs of its constituents - and as with many films set around this period, it demonstrates just how difficult it was for a woman to be given the opportunity to do just about anything that did not fit with her marital duties. There are a couple of scenes stolen by the avuncular Sydney Greenstreet's portrayal of William Makepeace Thackerey - whose "Vanity Fair" was contemporary with this timeframe - and by the end I felt I understood a little more of the complexities of this family and of the times. Well worth a watch.