Dogma
Performance & Direction: Dogma Review
Last updated: February 24, 2026
Quick Verdict: Hit or Flop?
Is Dogma (1999) worth watching? According to our cinematic analysis, the film stands as a HIT with a verified audience rating of 6.9/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Fantasy.
Cast Performances: A Masterclass
The success of any Fantasy is often anchored by its ensemble, and Dogma features a noteworthy lineup led by Ben Affleck . Supported by the likes of Matt Damon and Linda Fiorentino , the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Dogma
Quick Plot Summary: Released in 1999, Dogma is a Fantasy, Comedy, Adventure film directed by Kevin Smith. The narrative transports viewers to imaginative worlds filled with magic, wonder, and epic adventures. This summary provides a scannable look at the movie's central conflict involving Ben Affleck.
Story Breakdown
The title presents its narrative with careful attention to pacing and character development. An abortion clinic worker with a special heritage is called upon to save the existence of humanity from being negated by two renegade angels trying to exploit a loophole and reenter Heaven. The story unfolds naturally, allowing viewers to become invested in the outcome while maintaining engagement throughout.
Narrative Structure
- Opening Hook: The title establishes its world and central conflict efficiently in the opening act.
- Character Arc: The main character shows growth throughout the story, though some supporting characters could have been more fully realized. Ben Affleck's arc is present but occasionally predictable.
- Climax & Resolution: The climax brings together the narrative threads, providing resolution while staying true to the established tone.
Ending Explained: Dogma
Ending Breakdown: Directed by Kevin Smith, Dogma concludes its story with a mix of closure and open interpretation. The finale presents its approach to fantasy resolution.
The conclusion addresses the core thematic questions involving Ben Affleck, offering viewers material for post-viewing discussion.
Ending Analysis:
- Narrative Resolution: The story concludes by addressing its primary narrative threads, providing closure while maintaining some ambiguity.
- Character Arcs: Character journeys reach their narrative endpoints, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the fantasy themes established throughout the runtime.
The final moments of Dogma reflect the filmmakers' creative choices, offering an ending that aligns with the film's tone and style.
Who Should Watch Dogma?
Worth Watching If You:
- Enjoy Fantasy films and don't mind familiar tropes
- Are a fan of Ben Affleck or the director
- Want solid genre entertainment
Box Office Collection: Dogma
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $10.0M |
| Worldwide Gross | $33.5M |
| Trade Verdict | CLEAN HIT |
Dogma Budget
The estimated production budget for Dogma is $10.0M. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Top Cast: Dogma
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Where to Watch Dogma Online?
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Fandango At HomeDogma Parents Guide & Age Rating
1999 AdvisoryWondering about Dogma age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Dogma is 130 minutes (2h 10m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 6.9/10, and global performance metrics, Dogma is classified as a HIT. It remains an essential part of the 1999 cinematic calendar.
Frequently Asked Questions
Is Dogma worth watching?
Dogma is definitely worth watching if you enjoy Fantasy movies. It has a verified rating of 6.9/10 and stands as a HIT in our box office analysis.
Where can I find Dogma parents guide and age rating?
The official parents guide for Dogma identifies it as R. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Dogma?
The total duration of Dogma is 130 minutes, which is approximately 2h 10m long.
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Critic Reviews for Dogma
I didn't know it at the time, but watching _Mallrats_ on VHS as a kid was my first foray into View Askew, but it wasn't until _Dogma_ that I realised there was something bigger and better I could latch on to with Kevin Smith at the helm. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
I bought this as a DVD years ago assuming it was some kind of drama or thriller a la The DaVinci Code. Turns out it is a comedy - well, almost a farce it seems. As an atheist I am okay with mocking organized religion, but he plethora of blasphemy might be too much for some viewers. There were a few plot holes that jumped out at me, but they were forgivable in this type of comedy. With a wink and a nod, they cast edgy comedian and atheist George Carlin as a big time evangelist or bishop or something. It seemed to take a while for the various pieces of plot to merge together, unless it was just me being thick. The movie has some laughs and is well written in places. Alan Rickman looks like he is having fun, which meant that I did too when he was on screen. So yeah, it was a fun watch mostly, but on the other hand, I gave away the DVD, so there’s that.
Though I did think some of the visual humour here was a bit puerile, some of the writing really does expose the concept of religiosity across almost all faiths to some fairly unflattering scrutiny, and at times holds the idea of monotheism up to some carefully calculated and potent ridicule. Of course, it’s supposed to be a comedy and much like Monty Python’s satirical “Life of Brian” (1979) it is deliberate in it’s intent to poke some fun at something hitherto left well alone by Hollywood. The story is all about God’s former enforcer “Loki” (Matt Damon) who had got tired of killing Egyptian babies and visiting plaques on mankind, and so had quit. That left his boss quite cross and saw both him and his friend “Bartleby” (Ben Affleck) banished to live on earth with all the pesky humans. Then, one day they get a copy of a newspaper article that suggests that there might just be a way home - but that would come at one hell of a cost, and must be prevented at all costs. Any thwarting is going to be organised by “Metatron” (Alan Rickman) but is going to have to be implemented by the unwitting last scion “Bethany” (Linda Fiorentino) who hasn’t a clue about her legendary antecedence. How is she, a mere mortal woman, meant to stop angels? Well fortunately, she has some help in the guises of an apostle (Chris Rock), a muse (Salma Hayek) and a couple of prophets - the sex obsessed “Jay” (Jason Mewes) and his best pal, the very silent “Bob” (Kevin Smith). What we also quickly realise, is that someone mischievous must have sent them the idea in the first place, so strings are being pulled - but by whom? What now ensues sees a series of escapades unfold that entertainingly challenge some of the most established mores of scripture whilst questioning almost everything that might be sacred, not least suggesting the the Almighty might be more of an Almightress! It is a little uneven, but it does has enough purple patches, usually with the on-form Rickman, Hayek and unusually (for me, anyway) Chris Rock. Mewes plays as if he were straight out of a “Bill and Ted” adventure and I felt that Fiorentino held her ground really well as the frequently perplexed lass getting to grips with the extent of “immortality” that was now permeating her otherwise perfectly mundane life. It’s irreverent, uncouth and sometime very near the bone, but it’s the structure of organised faith rather than faith itself that is the object of the plot, and there are times when I did laugh out loud. Twenty-five years on, it has retained a degree of relevance and pertinence that auteur Kevin Smith ought still to be able to look back upon with some pride. Sure, it maybe a little too long - especially at the drawn-out conclusion, but it is really quite witty and Damon and Affleck bounce effortlessly off each other. I enjoyed this more than I remembered when I saw it first time round. Perhaps I’ve just become even more cynical?
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