Is Doing What I Please Worth Watching?
Answer: Maybe not, Doing What I Please is likely a skip if you enjoy Drama movies.
It features a runtime of 67 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Doing What I Please is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama genre.
Answer: Maybe not, Doing What I Please is likely a skip if you enjoy Drama movies.
It features a runtime of 67 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1961, Doing What I Please emerges as a significant entry in the Drama domain. The narrative core of the film focuses on a sophisticated exploration of Koichi Haruyama, who works at the Morita Automobile Factory, was driving a convertible through Ginza in search of accident sites. Unlike standard genre fare, Doing What I Please attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Katsumi Nishikawa, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Doing What I Please features a noteworthy lineup led by Kōji Wada. Supported by the likes of Mayumi Shimizu and Hiroshi Moriya, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Kōji Wada, Mayumi Shimizu, Hiroshi Moriya manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1961 cinema, these performances stand as a testament to the evolving standards of acting within the Drama space.
From a technical perspective, Doing What I Please is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Doing What I Please follows a sophisticated brisk pace. Over its 67 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Doing What I Please resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Doing What I Please is more than just its synopsis. It is an inquiry into the complexity of relationships. Koichi Haruyama, who works at the Morita Automobile Factory, was driving a convertible through Ginza in search of accident sites. He buys cars that have been damaged in accidents at a low price and scraps them for his own company. He uses the money he earns in this way to pay back Kanda Trading. Morita, the president of the company, is suspicious about the identity of Kanda Trading, from whom he borrowed money. However, what is borrowed must be repaid, and Koichi drives to Toyokawa to beg his grandfather for money as his scrap business is not going well. In addition to begging for money, Koichi has another secret purpose...
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Doing What I Please (1961) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Kōji Wada, Mayumi Shimizu, Hiroshi Moriya or the visual majesty of its technical execution, Doing What I Please is a significant contribution to the cinema of 1961. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Doing What I Please stands as a challenging project for the creators. It remains an essential piece of the 1961 cinematic year.
Doing What I Please is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Doing What I Please may not be worth watching unless you are a die-hard fan.
Doing What I Please may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Koichi Haruyama, who works at the Morita Automobile Factory, was driving a convertible through Ginza in search of accident sites. He buys cars that have been damaged in accidents at a low price and scraps them for his own company. He uses the money he earns in this way to pay back Kanda Trading. Morita, the president of the company, is suspicious about the identity of Kanda Trading, from whom he borrowed money. However, what is borrowed must be repaid, and Koichi drives to Toyokawa to beg his grandfather for money as his scrap business is not going well. In addition to begging for money, Koichi has another secret purpose...