What Happens at the End of Don Carlo - ROH?

Rolando Villazón Triumphantly Returns To The Stage As Don Carlo In The 2007/2008 Royal Opera House'S Producton Of Don Carlo. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season. This new production marked Rolando Villazón's much anticipated and triumphant return. Set amidst the political, religious and sexual intrigue of the 16th century Spanish court, this epic work tells the tragic story of Don Carlo, a virtuous young prince who is pitted against the powers of a dominant, corrupt society. First staged at The Royal Opera House in 1886, this new production is the first new version of the 5-Act complete opera to be staged at Covent Garden in 50 years. With sets and costumes by Bob Crowley, direction by Nicholas Hytner, and an enviable cast, this production of Don Carlo is worthy of the greatness of Verdi's original, masterful work.

Nicholas Hytner's narrative builds toward a resolution centered on Marina Poplavskaya (Elisabetta di Valois)'s journey. National Theatre director Nicholas Hytner's new staging of Verdi's grandest-- and arguably greatest -- opera, Don Carlo, was the highlight of the 2007/2008 Royal Opera House season.

How Does Marina Poplavskaya (Elisabetta di Valois)'s Story End?

• Marina Poplavskaya: Marina Poplavskaya's storyline wraps up in the final act, though some viewers have found the resolution more ambiguous than expected.
• Simon Keenlyside (Rodrigo, Marchese di Posa): Simon Keenlyside's role in the climax proves pivotal to how the central conflict resolves.
• Sonia Ganassi (La Principessa Eboli): Sonia Ganassi's character undergoes a significant shift in the final act.

What Does the Ending of Don Carlo - ROH Mean?

The ending of Don Carlo - ROH brings the narrative to a close, though viewer reception has been mixed. The resolution of Marina Poplavskaya's story may not satisfy all audiences.