Is Don't Come Around Here Worth Watching?
Answer: Maybe not, Don't Come Around Here is likely a skip if you enjoy movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Don't Come Around Here is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 2.0/10, it has delivered a mixed experience for fans of the genre.
Answer: Maybe not, Don't Come Around Here is likely a skip if you enjoy movies.
It features a runtime of 92 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2017, Don't Come Around Here emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of When he learns that his father may not have much longer to live, Chuck goes back to the home he ran away from. Unlike standard genre fare, Don't Come Around Here attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of the director, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.
The success of any Film is often anchored by its ensemble, and Don't Come Around Here features a noteworthy lineup led by Creek Wilson. Supported by the likes of Jordan Salloum and Jeremy Sande, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Creek Wilson, Jordan Salloum, Jeremy Sande manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2017 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.
From a technical perspective, Don't Come Around Here is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Don't Come Around Here follows a sophisticated brisk pace. Over its 92 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Don't Come Around Here resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 2/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Don't Come Around Here is more than just its synopsis. It is an inquiry into the boundaries of human experience. When he learns that his father may not have much longer to live, Chuck goes back to the home he ran away from. There he must come to terms with his troubled brother Lenny, his own fears, and a secret he has been hiding for years.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Don't Come Around Here (2017) is overwhelmingly negative. With an audience rating of 2/10 and strong performance metrics in the Cinema categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Creek Wilson, Jordan Salloum, Jeremy Sande or the visual majesty of its technical execution, Don't Come Around Here is a significant contribution to the cinema of 2017. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 2/10, and global collection metrics, Don't Come Around Here stands as a challenging project for the creators. It remains an essential piece of the 2017 cinematic year.
Don't Come Around Here is considered a flop based on audience ratings of 2/10 and lower collections.
Based on the low rating of 2/10, Don't Come Around Here may not be worth watching unless you are a die-hard fan.
Don't Come Around Here may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
When he learns that his father may not have much longer to live, Chuck goes back to the home he ran away from. There he must come to terms with his troubled brother Lenny, his own fears, and a secret he has been hiding for years.