Dying
Performance & Direction: Dying Review
Last updated: February 18, 2026
Quick Verdict: Hit or Flop?
Is Dying (2024) worth watching? According to our cinematic analysis, the film stands as a SUPER HIT with a verified audience rating of 7.9/10. Whether you're looking for the box office collection, ending explained, or parents guide, our review covers everything you need to know about this Drama.
Cast Performances: A Masterclass
The success of any Drama is often anchored by its ensemble, and Dying features a noteworthy lineup led by Lars Eidinger . Supported by the likes of Corinna Harfouch and Lilith Stangenberg , the performances bring a palpable realism to the scripted words.
Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned.
Final Verdict: Is it Worth Watching?
Story & Plot Summary: Dying
Quick Plot Summary: Released in 2024, Dying is a Drama, Comedy film directed by Matthias Glasner. The narrative explores complex human emotions and relationships through detailed character development. This summary provides a scannable look at the movie's central conflict involving Lars Eidinger.
Ending Explained: Dying
Ending Breakdown: Directed by Matthias Glasner, Dying resolves its central conflict while maintaining thematic consistency. The finale has been praised for its approach to drama resolution.
The emotional climax centers on character transformation involving Lars Eidinger, creating a memorable conclusion that audiences have responded to positively.
Ending Analysis:
- Narrative Resolution: The story concludes with clear resolution of its central conflicts, providing closure while maintaining some ambiguity.
- Character Arcs: Main characters complete meaningful transformations, reflecting the film's thematic priorities.
- Thematic Payoff: The ending reinforces the drama themes in a way that feels organic to the story.
The final moments of Dying demonstrate careful narrative planning, offering an ending that aligns with the film's tone and style.
Who Should Watch Dying?
Highly Recommended For:
- Fans of Drama cinema looking for quality storytelling
- Viewers who appreciate emotionally resonant character studies and meaningful themes
- Anyone seeking a well-crafted film that delivers on its promises
Box Office Collection: Dying
| Metric / Region | Collection (Approx) |
|---|---|
| Worldwide Gross | $1.8M |
| Trade Verdict | CLEAN HIT |
Top Cast: Dying
All Cast & Crew →










Where to Watch Dying Online?
Streaming Hub📺 Stream on
Amazon Prime Video
Amazon Prime Video with Ads🎟️ Rent on
Amazon Video
Apple TV Store
Rakuten TV
maxdome Store
Sky Store🏷️ Buy on
Amazon Video
Apple TV Store
Rakuten TV
maxdome Store
Sky StoreDying Parents Guide & Age Rating
2024 AdvisoryWondering about Dying age rating or if it's safe for kids? Here is our cinematic advisory:
⏱️ Runtime & Duration
The total runtime of Dying is 182 minutes (3h 2m). Ensuring you have enough time for the full cinematic experience.
Verdict Summary
Analyzing the overall audience sentiment, verified rating of 7.9/10, and global performance metrics, Dying is classified as a SUPER HIT. It remains an essential part of the 2024 cinematic calendar.
Frequently Asked Questions
Is Dying worth watching?
Dying is definitely worth watching if you enjoy Drama movies. It has a verified rating of 7.9/10 and stands as a SUPER HIT in our box office analysis.
Where can I find Dying parents guide and age rating?
The official parents guide for Dying identifies it as Not Rated. Our detailed advisory section above covers all content warnings for families.
What is the total runtime of Dying?
The total duration of Dying is 182 minutes, which is approximately 3h 2m long.
Best Movies to Watch if you liked Dying
How Dying Compares & Where it Ranks
Critic Reviews for Dying
This features a collection of stories featuring the members of the “Lunies” family. Father “Gerdi” (Hans-Uwe Bauer) is suffering the near terminal effects of Parkinson’s and lives with his wife “Lissy” (Corinna Harfouch) who isn’t really faring all that much better. Their son “Tom” (Lars Eidinger) is a composer working in an emotionally charged environment with his lifelong friend and composer “Bernard” (Robert Gwisdek) who has recently completed a piece called “Dying”; whilst his sister “Ellen” (Lilith Stangenberg) lives a life as a dental assistant peppered with a great deal of booze and some random sex, increasingly with her married colleague “Sebastian” (Ronald Vogel). The family are fairly disjointed, and when the father dies we see how they reconcile with home truths abounding, the failings of electric cars made pretty clear and the virtues of forest funerals advertised too! There is a considerable degree of energy from both siblings here. Eidinger’s side of the coin involves a torrid relationship with his mother and delivers one of the most entertainingly frank conversations you’re ever likely to see, all while he is caught up in a love triangle with his ex-girlfriend and her newborn baby and the baby’s father whom she would rather he was than “Moritz” (Nico Holonics). “Ellen”, well she’s a bit of a firebrand and let’s also say that if you are at all squeamish about dentists, drills, masks and… well, just suffice to say that there are some scenes that really did make me very grateful I was the only person at this screening! You wouldn’t want to take her to a concert neither! There is lots of humour here, but it’s not comedy nor is it laugh out loud. It’s much more scenario and character-based and the strong performances cleverly interweave the strands towards the ending in a fashion that guarantees that an happy ending is the last thing we can expect. It is a long film, but it is structured in a way that keeps it engaging, touching, at times quite sad and at times realistically poignant as family life is put under a microscope. We are also treated to quite an orchestral treat at the end, too, as this maelstrom of human emotions moves on to new chapters.
movieMx Verified
This review has been verified for accuracy and editorial quality by our senior cinematic analysts.
This analysis is compiled by our editorial experts using multi-source verification and audience sentiment data for maximum accuracy.









