Is Egon Worth Watching?
Answer: Maybe not, Egon is likely a skip if you enjoy Fantasy movies.
It features a runtime of 9 minutes and offers a standard storyline that appeals to general audiences.
Verdict:Egon is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 1.0/10, it has delivered a mixed experience for fans of the Fantasy, Music, Romance genre.
Answer: Maybe not, Egon is likely a skip if you enjoy Fantasy movies.
It features a runtime of 9 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 15, 2026
Released in the dynamic cinematic landscape of 2013, Egon emerges as a significant entry in the Fantasy, Music, Romance domain. The narrative core of the film focuses on a sophisticated exploration of Symptoms of influenza mean the last days in the life of the Austrian painter Egon Schiele (1890-1918) seem to be played out beyond the confines of a set time and space. Unlike standard genre fare, Egon attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Michiel van Jaarsveld, every scene is crafted to contribute to the atmospheric weight of the story.
The success of any Fantasy is often anchored by its ensemble, and Egon features a noteworthy lineup led by Gloria Benedikt . Supported by the likes of Youri Jongenelen and Susanne Middelberg, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, their sheer charisma keeps the audience invested. In the broader context of 2013 cinema, these performances stand as a testament to the evolving standards of acting.
From a technical perspective, Egon is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic. Furthermore, the sonic landscape adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Egon follows a sophisticated brisk pace. Over its 9 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining.
Critically, the editing choices help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience.
Beyond its immediate entertainment value, Egon resonates with contemporary social and cultural themes prevalent in the Fantasy landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
In summary, our editorial assessment of Egon (2013) is overwhelmingly negative. With an audience rating of 1.0/10, it stands as a highly recommended experience for genre enthusiasts.
Set within the thematic framework of the Fantasy, Music, Romance genre, Egon delivers a narrative that attempts to balance character development with structural high-points.
The core plot centers around the following premise: "Symptoms of influenza mean the last days in the life of the Austrian painter Egon Schiele (1890-1918) seem to be played out beyond the confines of a set time and space. His stylised portraits come to live and edge him further towards death. Choreographer Stuart has transformed his images into a transparent movement language that by turns follows and ignores the music by Alexander von Zemlinsky. The rawly expressive and confrontational imagery reflects the powerful effect of Schiele’s drawings and paintings."
As the story progresses, the director focuses on building tension through deliberate character interactions, leading to a culmination that has sparked significant discussion among audience members.
The conclusion of Egon leaves several plot threads for interpretation. In the final act, the narrative shifts from exposition to a more complex resolution that ties together the various character arcs introduced earlier.
Ultimately, Egon's ending serves as a definitive close to this chapter, though the logic used provides enough ambiguity to keep fans debating its true meaning long after the credits roll.

Analyzing the audience sentiment, IMDb rating of 1/10, and global collection metrics, Egon stands as a challenging project for the creators. It remains an essential piece of the 2013 cinematic year.
Egon is considered a flop based on audience ratings of 1/10 and lower collections.
Based on the low rating of 1/10, Egon may not be worth watching unless you are a die-hard fan.
Egon may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Egon is considered a flop based on audience ratings of 1/10 and lower collections.
Based on the low rating of 1/10, Egon may not be worth watching unless you are a die-hard fan.
Egon may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Egon is a Fantasy, Music, Romance movie that follows: Symptoms of influenza mean the last days in the life of the Austrian painter Egon Schiele (1890-1918) seem to be played out beyond the confines of a set time and space. His stylised portraits come to ...
Egon is classified as Fantasy, Music, Romance. We recommend checking the official age rating before watching with children.
Egon is primarily available in its original language, with subtitles and dubbed versions available on various streaming services and digital stores.
Symptoms of influenza mean the last days in the life of the Austrian painter Egon Schiele (1890-1918) seem to be played out beyond the confines of a set time and space. His stylised portraits come to live and edge him further towards death. Choreographer Stuart has transformed his images into a transparent movement language that by turns follows and ignores the music by Alexander von Zemlinsky. The rawly expressive and confrontational imagery reflects the powerful effect of Schiele’s drawings and paintings.
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