Is Encore Worth Watching?
Answer: Maybe not, Encore is likely a skip if you enjoy Documentary movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Encore is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Documentary, Music genre.
Answer: Maybe not, Encore is likely a skip if you enjoy Documentary movies.
It features a runtime of 96 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 2014, Encore emerges as a significant entry in the Documentary, Music domain. The narrative core of the film focuses on a sophisticated exploration of Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Unlike standard genre fare, Encore attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Dmytro Lavrinenko, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Documentary elements serve the larger narrative arc rather than just providing spectacle.
The success of any Documentary is often anchored by its ensemble, and Encore features a noteworthy lineup led by Leonid Fedorov. Supported by the likes of Oleg Garkusha and Dmitry Ozersky, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Leonid Fedorov, Oleg Garkusha, Dmitry Ozersky manages to keep the audience invested through the film's more predictable sequences. In the broader context of 2014 cinema, these performances stand as a testament to the evolving standards of acting within the Documentary, Music space.
From a technical perspective, Encore is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Encore follows a sophisticated brisk pace. Over its 96 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Encore resonates with contemporary social and cultural themes prevalent in the Documentary landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Encore is more than just its synopsis. It is an inquiry into the boundaries of human experience. Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music façade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: “You should not look at the liberty too much, you might feel dizzy.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Encore (2014) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Documentary, Music categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Leonid Fedorov, Oleg Garkusha, Dmitry Ozersky or the visual majesty of its technical execution, Encore is a significant contribution to the cinema of 2014. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
| Metric / Region | Collection (Approx) |
|---|---|
| Production Budget | $129,000 |
| Worldwide Gross | $14,612 |
| Trade Verdict | FINANCIAL DISAPPOINTMENT |
The estimated production budget for Encore is $129,000. This figure covers principal photography, talent acquisitions, and visual effects. When accounting for global marketing and distribution, the break-even point is typically 2x the base production cost.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Encore stands as a challenging project for the creators. It remains an essential piece of the 2014 cinematic year.
Encore is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Encore may not be worth watching unless you are a die-hard fan.
Encore may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Many-many words have been written and a few ingenuous TV documentaries have been filmed about the great Russian rock band Auktyon (АукцЫон), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music façade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: “You should not look at the liberty too much, you might feel dizzy.