Is Even Solomon Worth Watching?
Answer: Maybe not, Even Solomon is likely a skip if you enjoy Drama movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to general audiences.

Verdict:Even Solomon is a confirmed FLOP based on our analysis of audience ratings and box office momentum.
With a rating of 0.0/10, it has delivered a mixed experience for fans of the Drama, Comedy, TV Movie genre.
Answer: Maybe not, Even Solomon is likely a skip if you enjoy Drama movies.
It features a runtime of 83 minutes and offers a standard storyline that appeals to general audiences.
Last updated: January 13, 2026
Released in the dynamic cinematic landscape of 1979, Even Solomon emerges as a significant entry in the Drama, Comedy, TV Movie domain. The narrative core of the film focuses on a sophisticated exploration of Stephen (Paul Henley) works in a bank. Unlike standard genre fare, Even Solomon attempts to deconstruct traditional tropes, offering a conventional take on its central themes.
The screenplay, appearing to prioritize narrative momentum and immediate impact, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Roger Bamford, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Drama elements serve the larger narrative arc rather than just providing spectacle.
The success of any Drama is often anchored by its ensemble, and Even Solomon features a noteworthy lineup led by Paul Henley. Supported by the likes of Derek Farr and Sylvia Kay, the performances bring a palpable realism to the scripted words.
Performance Analysis: While the cast delivers competent and professional performances, they are occasionally hampered by a script that leans into familiar archetypes. However, the sheer charisma of Paul Henley, Derek Farr, Sylvia Kay manages to keep the audience invested through the film's more predictable sequences. In the broader context of 1979 cinema, these performances stand as a testament to the evolving standards of acting within the Drama, Comedy, TV Movie space.
From a technical perspective, Even Solomon is a marvel of 21st-century filmmaking. The cinematography, utilizing a moody and atmospheric color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.
Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.
The structure of Even Solomon follows a sophisticated brisk pace. Over its 83 minute duration, the film manages to balance exposition with action in a way that remains consistently entertaining. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.
Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.
Beyond its immediate entertainment value, Even Solomon resonates with contemporary social and cultural themes prevalent in the Drama landscape of 2026. It addresses concepts such as the nature of heroism and personal legacy with a level of maturity that is often missing from major releases.
This cultural relevance is likely why it has garnered a 0/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.
Analyzing the plot deeper, Even Solomon is more than just its synopsis. It is an inquiry into the complexity of relationships. Stephen (Paul Henley) works in a bank. A virgin, he shows no interest in sex, and is cruelly scorned by an aggressive female neighbour when he rebuffs her advances. He lives with his mother, an overbearing woman who mocks him for being wet. But Stephen has a secret – he likes to wear women’s clothing. When his horrified mother finds out, she takes him to meet a fellow cross-dresser to ‘solve’ the problem. But the meeting ends unexpectedly, when the other man realises that Stephen is not transvestite, but transsexual.
The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.
In summary, our editorial assessment of Even Solomon (1979) is overwhelmingly negative. With an audience rating of 0/10 and strong performance metrics in the Drama, Comedy, TV Movie categories, it stands as a highly recommended experience for genre enthusiasts.
Whether you choose to experience it for the stellar performances from Paul Henley, Derek Farr, Sylvia Kay or the visual majesty of its technical execution, Even Solomon is a significant contribution to the cinema of 1979. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.
Analyzing the audience sentiment, IMDb rating of 0/10, and global collection metrics, Even Solomon stands as a challenging project for the creators. It remains an essential piece of the 1979 cinematic year.
Even Solomon is considered a flop based on audience ratings of 0/10 and lower collections.
Based on the low rating of 0/10, Even Solomon may not be worth watching unless you are a die-hard fan.
Even Solomon may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.
Stephen (Paul Henley) works in a bank. A virgin, he shows no interest in sex, and is cruelly scorned by an aggressive female neighbour when he rebuffs her advances. He lives with his mother, an overbearing woman who mocks him for being wet. But Stephen has a secret – he likes to wear women’s clothing. When his horrified mother finds out, she takes him to meet a fellow cross-dresser to ‘solve’ the problem. But the meeting ends unexpectedly, when the other man realises that Stephen is not transvestite, but transsexual.