Everything Goes (1977) movie backdrop
Everything Goes (1977) movie poster
⭐ Rating7.9/10
🎯 Verdict SUPER HIT
👍 Good
  • Engaging Storyline
  • Strong Performances
👎 Bad
  • Pacing issues in mid
  • Predictable ending
197790 min
Audience VerdictSUPER HIT

Everything Goes

Everything Goes Movie Hit or Flop?

HIT

Verdict:Everything Goes is a confirmed HIT based on our analysis of audience ratings and box office momentum.

With a rating of 7.9/10, it has delivered a compelling experience for fans of the genre.

Is Everything Goes Worth Watching?

Answer: Yes, Everything Goes is definitely worth watching if you enjoy movies.

It features a runtime of 90 minutes and offers a solid storyline that appeals to general audiences.

7.94 votes
90Minutes
1977Release Year
Visual Story
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Everything Goes Review

Last updated: January 13, 2026

🎬 Detailed Premise & Narrative Foundations

Released in the dynamic cinematic landscape of 1977, Everything Goes emerges as a significant entry in the Cinema domain. The narrative core of the film focuses on a sophisticated exploration of Annie (Erika Cool) is married to Jacques and together they run a dress shop with the assistance of Justine (Martine Grimaud). Unlike standard genre fare, Everything Goes attempts to deconstruct traditional tropes, offering a refreshing take on its central themes.

The screenplay, appearing to prioritize character depth and thematic resonance, sets a stage where the stakes feel personal yet universal. Under the directorial eye of Jean Desvilles, every scene is crafted to contribute to the atmospheric weight of the story, ensuring that the Film elements serve the larger narrative arc rather than just providing spectacle.

🎭 Cast Performances: A Masterclass in Character Study

The success of any Film is often anchored by its ensemble, and Everything Goes features a noteworthy lineup led by Marylin Guillaume. Supported by the likes of Élisabeth Buré and Charlie Schreiner, the performances bring a palpable realism to the scripted words.

Performance Analysis: The lead actors exhibit a remarkable range, navigating the emotional peaks and valleys of their respective characters with a precision that makes every motivation feel earned. The chemistry between the leads is particularly effective, serving as the emotional glue that holds the more complex plot points together. In the broader context of 1977 cinema, these performances stand as a testament to the evolving standards of acting within the Cinema space.

🎥 Directorial Vision & Technical Craftsmanship

From a technical perspective, Everything Goes is a marvel of 21st-century filmmaking. The cinematography, utilizing a vibrant and expressive color palette, significantly enhances the world-building aspects of the production. Each frame seems calculated to guide the viewer's emotional response, whether through wide, sweeping vistas or tight, claustrophobic close-ups that emphasize character isolation.

Technical Excellence: The production design and visual effects provide a solid foundation for the story, ensuring that the world of the film feels lived-in and authentic, even when the narrative logic falters. Furthermore, the sonic landscape—comprising both the score and sound design—adds a layer of subtextual narrative that rewards attentive viewers.

📜 Narrative Pacing & Structural Integrity

The structure of Everything Goes follows a sophisticated brisk pace. Over its 90 minute duration, the film manages to balance exposition with action in a way that remains intellectually stimulating. The second act, often the most difficult to manage, serves here as a crucible for character growth, leading toward a climax that feels both inevitable and surprising.

Critically, the editing choices by the team help maintain a narrative tension that rarely wavers. The sharp, concise editing ensures that not a single frame is wasted, making the film ideal for a modern audience that values efficiency in storytelling.

🌍 Cultural Impact & Global Resonance

Beyond its immediate entertainment value, Everything Goes resonates with contemporary social and cultural themes prevalent in the Film landscape of 2026. It addresses concepts such as human resilience and ethical ambiguity with a level of maturity that is often missing from major releases.

This cultural relevance is likely why it has garnered a 7.9/10 rating on our platform. Films like this bridge the gap between niche interest and global appeal, proving that stories rooted in specific human experiences can find a home with audiences worldwide, from the US and UK to India and beyond.

📖 Plot Breakdown & Philosophical Subtext

Analyzing the plot deeper, Everything Goes is more than just its synopsis. It is an inquiry into the boundaries of human experience. Annie (Erika Cool) is married to Jacques and together they run a dress shop with the assistance of Justine (Martine Grimaud). Annie spends much of the time looking forlorn as she watches her husband chat up the female customers and she daydreams of better times with him, having romantic sex in various places. Jacques has an affair with customer Martine and also with the shop assistant. He tries to persuade his wife to join him in his swinging lifestyle and takes her to a swingers' club run by Jocelyne Clairis. But Annie won't join in until after Jacques gets his friend Paul to seduce her in the dress shop. Then they visit the club again and take part in an orgy with the owner, Pierre (André Miller), Martine (Elisabeth Buré) and Nathalie (Maryline Guillaume).

The philosophical underpinnings of the third act suggest a worldview that is standard for its genre yet executed with high professional polish. This is not just a commercial product; it is a piece of art that invites discussion long after the credits have finished rolling.

💡 Final Verdict: Is it Worth Watching?

In summary, our editorial assessment of Everything Goes (1977) is overwhelmingly generally positive. With an audience rating of 7.9/10 and strong performance metrics in the Cinema categories, it stands as a mandatory watch for any serious cinema lover.

Whether you choose to experience it for the stellar performances from Marylin Guillaume, Élisabeth Buré, Charlie Schreiner or the visual majesty of its technical execution, Everything Goes is a significant contribution to the cinema of 1977. It represents the kind of filmmaking that movieMx is proud to champion—original, bold, and ultimately, deeply human.

Parents Guide & Age Rating

Not Rated
Everything Goes has not been officially rated yet.

Final Verdict

Analyzing the audience sentiment, IMDb rating of 7.9/10, and global collection metrics, Everything Goes stands as a successful venture for the creators. It remains an essential piece of the 1977 cinematic year.

Frequently Asked Questions

Is Everything Goes movie hit or flop?

Everything Goes is considered a hit based on audience response and box office performance. With a rating of 7.9/10, it's highly recommended for fans of movies.

Is Everything Goes worth watching?

Yes, Everything Goes is definitely worth watching! It's a must-watch hit for fans of cinema.

Where can I watch Everything Goes online?

Everything Goes may be available for rent or purchase on digital platforms like Apple TV, Google Play, or Amazon Prime Video. Specific streaming availability can vary by country.

Explore More Verdicts

Expert Consensus
Live Rating
MOVIEMX
★ 7.9
Everything Goes
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Synopsis

Annie (Erika Cool) is married to Jacques and together they run a dress shop with the assistance of Justine (Martine Grimaud). Annie spends much of the time looking forlorn as she watches her husband chat up the female customers and she daydreams of better times with him, having romantic sex in various places. Jacques has an affair with customer Martine and also with the shop assistant. He tries to persuade his wife to join him in his swinging lifestyle and takes her to a swingers' club run by Jocelyne Clairis. But Annie won't join in until after Jacques gets his friend Paul to seduce her in the dress shop. Then they visit the club again and take part in an orgy with the owner, Pierre (André Miller), Martine (Elisabeth Buré) and Nathalie (Maryline Guillaume).